Mitchell-Innes & Nash

Jessica Stockholder

Biography

JESSICA STOCKHOLDER

Born: 1959, Seattle, WA
Lives & works in Chicago, IL

SELECTED SOLO AND TWO ARTIST EXHIBITIONS:

2011
Aldrich Contemporary Art Museum, Ridgefield, Connecticut
Laumeier Sculpture Park, St. Louis, Grab grassy this moment your I’s

2010
Palacio de Cristal, Reina Sofia, Madrid, Peer Out to See
Carreras Mugica, Bilbao, Air Padded Table Haunches, and…

2009
Mitchell-Innes & Nash, New York, Sailcloth Tears
Madison Square Park, New York, Flooded Chambers Maid, outdoor installation
Senior and Shopmaker Gallery, New York, Swiss Cheese Field
Robischon Gallery, Denver
Nathalie Obadia, Paris, Coating

2008
Galerie Art & Essai, Rennes, France, Jessica Stockholder - Lumps Bumps & Windy Figures Too

2007
1301 PE, Los Angeles, CA
Galerie Nächt St. Stephan, Vienna, Austria
Galerie Thomas Schulte, Berlin, Germany

2006
Mitchell-Innes & Nash, New York
Galleria Raffaella Cortese, Milan, Italy
PS1 Contemporary Art Center, Long Island City, NY, Of Standing Float Roots in Thin Air
Galerie Nathalie Obadia, Paris, Space Between

2005
Mario Diacono Gallery, Boston, MA, Four Gummed-Up Bits of a Crepe Sole Balled Up Together with the Grimy Dirt on the Sidewalk and Stuck Dangling, but Firm, to the Bottom of the Shoe that Hangs on the Toe of the Foot under the Diving Board
Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition
Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy; sculpture and prints
Blaffer Art Gallery, University of Houston, Texas
Weatherspoon Art Gallery University of Houston; Jessica Stockholder, Kissing the Wall: Works, 1988-2003

2004
Rice University Art Gallery, Houston, Texas, Sam Ran Over Sand or Sand Ran Over Sam

2003
Gorney Bravin + Lee, New York, NY; Table Top Sculpture
CAPC, Musée d’art contemporain de Bordeaux, France; Jessica Stockholder, TV Tipped Toe Nail & the Green Salami
Chelsea Art Museum, New York, NY; Jessica Stockholder Prints
Galerie Rolf Ricke, Cologne, Germany; Jessica Stockholder
Baltic Art Center, Visby, Sweden, curated by Lynne Cooke
Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany; On The Spending Money Tenderly
Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany

2002
Galleria Raffaela Cortese, Milan, Italy

2001
Galerie Nächst St.Stephan,Vienna, Austria
Gorney Bravin + Lee, New York, NY
Galerie Nathalie Obadia, Paris, France

2000
Kunstmuseum St. Gallen, St. Gallen, Switzerland; Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) `Pictures at an Exhibition’
Bucknell Art Gallery, Bucknell University, Lewisburg, PA: Jessica Stockholder: Photography

1999
Center for Visual Arts, Cardiff, Wales; With Wanton Heed and Giddy Cunning, Hedging Red and That’s Not Funny
The Power Plant, Toronto, Canada; First Cousin Once Removed or Cinema of Brushing Skin
Galerie Rolf Ricke, Köln, Germany

1998
Catriona Jeffries Gallery, Vancouver, Canada
Galerie Nathalie Obadia, Paris, France; Turning Paper, monotypes from Two Palms Press
Sammlung Goetz, München, Germany; Fabian Marcaccio & Jessica Stockholder
Works on Paper, Inc., Los Angeles, CA; Fabian Marcaccio & Jessica Stockholder
Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium; Landscape Linoleum
Betsy Senior Gallery, New York, NY; Turning Paper, monotypes from Two Palms Press
White Cube, London, England; installation: Coupling
Musée Picasso d'Antibes, Antibes, France; Torque, Jelly Role, and Goose
Musée des Beaux-Arts de Nantes / La Salle Blanche, Nantes, France; Nit Picking Trumpets of Iced Blue Vagueries

1997
Kunstnernes Hus, Oslo, Norway; Slab of Skinned Water, Cubed Chicken & White Sauce
Otis Gallery of Otis College of Art & Design, Los Angeles, CA; Jessica Stockholder: 200 Drawings
Gallery of Art, Johnson County Community College, Overland Park, KS; The Point of Departure: Moira Dryer & Jessica Stockholder
Deutscher Akademischer Austauschdienst (D. A. A. D.), Berlin, Germany; drawings
Contemporary Fine Arts, Berlin, Germany
Jay Gorney Modern Art, New York, NY

1996
Baxter Gallery, Maine College of Art, Portland, ME; Jessica Stockholder: 200 Drawings
Tom Solomon's Garage, LA, CA, Bowtied In the Middle
Studio La Città II, Verona, Italy

1995
Galerie Nathalie Obadia, Paris, France
Dia Center for the Arts, New York, NY; Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume
Jay Gorney Modern Art, New York, NY
S. L. Simpson Gallery, Toronto, Canada
Sala Montcada de la Fundació “la Caixa”, Barcelona, Spain; Sweet for Three Oranges

1994
Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC; studio works & installation: Pink Lady
Jay Gorney Modern Art, New York, NY; Joan Snyder and Jessica Stockholder

1993
Galerie Ludwig, Krefeld, Germany
Galerie des Arènes, Carré d'Art, Musée d'Art Contemporain de Nîmes, Nîmes, France; Edge of Hothouse Glass

1992
Kunsthalle Zürich, Zürich, Switzerland; Sea Floor Movement to Rise of Fire Place Stripping
Galerie Metropol, Wien, Austria; SpICE BOXed Project(ion)
American Fine Arts, Co., New York, NY; Flower Dusted Prosies
Westfälischer Kunstverein, Münster, Germany; Growing Rock Candy Mountain - Grasses in Canned Sand

1991
The Renaissance Society at the University of Chicago, Chicago, IL; Skin Toned Garden Mapping
Witte de With, Rotterdam, The Netherlands; Near Weather Wall and Making a Clean Edge II
Daniel Weinberg Gallery, Santa Monica, CA
Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CN; UNTITLED Seepage: Sandwashed, Sundried & Shrinkwrapped, part three of three-part series: The Broken Mirror, curated by Klaus Ottman

1990
Isabella Kacprzak Galerie, Köln, Germany; Mary Heilmann and Jessica Stockholder; For Mary Heilmann
American Fine Arts, New York, NY; Where it Happened

1989
The Mattress Factory, Pittsburgh, PA; Mixing Food with the Bed

1988
Mercer Union, Toronto, Ontario, Canada; Indoor lighting for my father
Contemporary Art Gallery, Vancouver, BC, Canada; It's not over til the fat lady sings

1985
Melinda Wyatt Gallery, New York, NY; Wall Sandwich

1984
Art Culture Resource Center, Toronto, Ont., Canada; In-side out

SELECTED GROUP EXHIBITIONS WHICH INCLUDED SITE INSTALLATIONS

2010
Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, The Jewel Thief, co-curated with Ian Berry

2009
Denver Art Museum, Denver, CO, Embrace!

2006
Vancouver Art Gallery, Canada, Paint

2004
National Academy Museum, New York; 179th Annual: An Invitational Exhibition of Contemporary American Art
Galerie Nächt St. Stephan, Vienna, Austria; Kunst Stoff
Whitney Museum of American Art, New York, NY; “Whitney Biennial 2004”

2003
FRAC Lille, France; Flower Power ; installation in group show
Tanya Bonakdar Gallery, New York, NY; Painting on Sculpture

2002-4
Trespassing: Houses x Artists; Palm Springs Desert Museum, Palm Springs, CA
Blaffer Gallery, Houston, TX University of South Florida
Contemporary Art Museum, Tampa, FL; MAK Center for Art and Art History, Los Angeles; Bellevue Art Museum, Bellevue, WA

2002
Addison Gallery of American Art, Phillips Academy, Andover, MA; SiteLines: Art on Main
2001
Site Santa Fe, Santa Fe, NM; Beau Monde: Toward a Redeemed Cosmopolitanism, curated by Dave Hickey; installation: Bird Watching

2000
Sprengel Museum, Hannover, Germany; In the Beginning was MERZ, Gelatinous Too Dry
(Schwitters homage exhibition traveling to Haus der Kunst, München, Germany)
Haus der Kunst, München, Germany; Apparent Things: Painting with Things, Pictures at an Exhibition

1998
Centre Georges Pompidou, Paris France: Dijon / le Consortium.coll; House Beautiful, 1994 and Recording Forever Pickled, 1990
Saatchi Gallery, London, England; Young Americans 2; Bowtied In the Middle,

1997
Halle Tony Garnier, Lyon, France; 4e Biennale de Lyon, curated by Harald Szeemann
Corderie Building, Venice, Italy; La Biennale di Venezia: XLVII International Art Exhibition, curated by Germano Celant

1996
Rooseum, Malmö, Sweden Magasin 3, Stockholm, Sweden

1995
Horodner Romley Gallery, Soho NY Targets
Neue Galerie am Landesmuseum Joanneum, Graz, Austria; Pittura - Immedia: Malerei in den 90er Jahren, curated by Peter Weibel

SELECTED GROUP EXHIBITIONS WHICH INCLUDED STUDIO WORKS
2011
Not about Paint, Steven Zevitas Gallery, Boston
Schnitte im Raum: Skulpturale Collagen, Museum Morsbroich, Leverkusen, Germany
Towards the Third Dimension, David Floria Gallery, Aspen, CO

2010
Friends in High Places, Christopher Henry Gallery, New York, NY
Galleria Max Estrella, Madrid, España/América La Abstracción redefinida

2009
1301PE, Los Angeles, Mind The Step
Galleria Raffaella Cortese, Milan, Italy, Living With…

2008
Westport Art Center, Westport, CT, Color in 3D
Doris McCarthy Gallery, Toronto; Paragons: New Abstraction from the Albright-Knox Gallery

2007
Kunstmuseum Liechtenstein, Lust for Life: The Ricke Collection, Vaduz, Liechtenstein
Pilar Parra & Romero, Madrid
Aspen Art Museum, Like Color in Pictures
Mitchell-Innes & Nash, Concrete Works, New York, NY
Wadsworth Atheneum Museum of Art, Hartford, CT, Connecticut Contemporary
Albright-Knox Gallery, Buffalo, NY; Paragons: New Abstraction

2006
Greenberg van Doren Gallery, New York, NY, Women’s Work

2004
Ecole Superieure des Beaux-Arts du Mans, Le Mans, France; Peintures Migrantes

2003
The Cooper Union School of Art, New York; Under Pressure: Prints from Two Palms Press

2002
Neuberger Museum of Art, Purchase, NY; Beyond the Pale: Material Possibilities

2001
Marianne Boesky Gallery, New York, NY; Camera Works
Rudolfinum, Prague, Czech Republic; American Art from Sammlung Goetz
Yale University Art Gallery, New Haven, CT; Objective Color, curated by Jennifer Gross
Western Gallery, Western Washington University, Bellingham, WA and traveling under the auspices of Independent Curators Incorporated; On Collecting: Pictures, Patents, Monkeys and More…, curated by Ingrid Schaffner

2000
Galerie Nachst St. Stephan, Vienna, Austria
Heimer & Döring Kunstberatung, Berlin, Germany; Gebaude: Donald Judd, Gerhard Merz, Jessica Stockholder (with OpenOffice)
Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany; Skulptur 2000, curated by Ute Riese
Blackwood Gallery, University of Toronto at Mississauga, Erindale College, Mississauga, Ont., Canada; Spilled Edge/Soft Corner

1999
Educational Alliance Gallery, New York, NY; Geez Louise!: Art After Louise Nevelson
Galeria OMR, Mexico City, Mexico; Think Twice: International Sculpture Show
Galerie Nächst St. Stephan / Rosemarie Schwarzwälder, Wien, Austria; ...und wandelt mit bedächtiger Schnelle
vom Himmel durch die Welt zur Hölle, curated by Gunther Umberg
Marcel Sitkoske Gallery, San Francisco, CA; Re: Rauschenberg, curated by Stuart Horodner
Kasseler Kunstverein, Kassel, Germany; Special Offer: Eine Ausstellung des Kölner Galeristen Rolf Ricke

1998
Susquehanna Art Museum, Harrisburg, PA; Coming Off the Wall, curated by Jonathan VanDyke
Museum Ludwig Köln, Köln, Germany; I Love New York: Crossover der aktuellen Kunst, curated by Dr. Christina Lissmann
Kunsthalle Zürich, Zürich, Switzerland; Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer
Sammlungen, organized by Andreas Schweizer
The Rotunda Gallery, Brooklyn, NY; Interpreting, with curatorial perspectives by: Lynn Cooke, Lia Gangitano, Robert Storr and Lydia Yee, curated by Dena Shottenkirk
University of Texas at San Antonio Art Gallery, San Antonio, TX
University Art Gallery, New Mexico State University, Las Cruces, NM; Santa
Barbara Contemporary Arts Forum, Santa Barbara, CA
Chromaform: Color in, curated by Frances Colpitt
L A Louver Gallery, Los Angeles, CA; Painting Language
Galerie Georg Kargl, Vienna, Austria; Review
D'Amelio Terras Gallery, New York, NY; Humble County
Feigen Contemporary, New York, NY; Exploiting the Abstract
Yale University Art Gallery, New Haven, CT; Now and Later, alumni exhibition curated by Joachim Pissarro & Prof. Thomas Crow
Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Pop / Abstraction, curated by Sid Sachs
Castle Gallery, College of New Rochelle, New Rochelle, NY; Alternative Measures, curated by Susan Canning

1997
Contemporary Arts Center, New Orleans, LA; The Prophecy of Pop, curated by John Good
The Whitney Museum of American Art, New York, NY; Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent Collection
Nassauischen Kunstverein, Wiesbaden, Germany; New York - Divergent Models, curated by Saul Ostrow
Studio La Città, Verona, Italy; Onomatopoeia
Apex Art, New York, NY; Colorflex, curated by Raphael Rubinstein
Rosenberg Gallery, Hofstra University, Hempstead, NY; Across Lines: J.Beuys, M.Chin, M.DiSuvero, J.Duff, M.Kendrick, J.Monti, J.Silverthorne, R.Smithson,J. Stockholder, D.Weiner, F.West, curated by Dan Devine
Bob van Orsouw Galerie, Zürich, Switzerland; Wandstücke IV: S. Fleury, T. Grünfeld, I. Knoebel, L. Mantello, O.Metzel, J. Stockholder, R. Tiravanija

1996
Studio La Città, Verona, Italy; L'Ossessione Del Segno
The Fabric Workshop and Museum, Philadelphia, PA; Millennium Eve Dress, curated by Janet Kardon
Schmidt Contemporary Art, St. Louis, MO; Unconditionally Abstraction
Beaver College Art Gallery, Beaver College, Glenside, PA; Patterns of Excess, curated by Paula Marincola
Rotunda Gallery, Brooklyn, NY; Luminous Bodies, curated by Dara Meyers-Kingsley
Galerie Rolf Ricke, Köln, Germany; Form als Ziel mündet immer in Formalismus (Mies van der Rohe)
Usdan Gallery, Bennington College, Bennington, VT; Painting In An Expanding Field, org. by Saul Ostrow
Nott Memorial Art Museum, Union College, Schenectady, NY; Square Bubbles, curated by Arthur Gibbons
The Corcoran Gallery of Art, Washington, DC; Painting Outside Painting: 44th Biennial Exhibition of
Contemporary American Painting, curated by Terrie Sultan
Galerie Oddi Baglioni, Rome, Italy; Una Nuova Tradizione Americana
Contemporary Art Museum, University of South Florida, Tampa, FL
Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull
Fleming Museum, University of Vermont, Burlington, VT; Re:Fab: Painting Abstracted, Fabricated,
curated by Rochelle Feinstein, Shirley Kaneda and Margaret A. Miller
Dru Arstark Gallery, New York, NY; Elena Sisto, Lisa Hoke, Jessica Stockholder

Selected Public Collections:

Addison Gallery of American Art, Phillips Academy, Andover, MA
Musée Picasso d'Antibes, Antibes, France; installation: Torque, Jelly Role, and Goose Bump, 1997
Museum of Fine Arts, Boston, MA
Albright-Knox Art Gallery, Buffalo, NY
Art Institute of Chicago, Chicago, IL
Birmingham Museum of Art, AL
Indianapolis Museum of Art, Indianapolis, IN
Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC
The British Museum, London, England
Fonds Régional d'Art Contemporain - Limousin, Limoges, France
Los Angeles County Museum of Art, Los Angeles, CA
Whitney Museum of American Art, New York, NY
Carré d'Art, Musée d'Art Contemporain de Nîmes, Nîmes, France
Kunstmuseum St. Gallen, St. Gallen, Switzerland; installation: Vortex in the Play of Theatre with the RealPassion (for Kay Stockholder), 2000
Le Consortium, Dijon, France; installation: House Beautiful, 1994 and installation: Recording Forever Pickled, 1990
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria; installation: Nit Picking Trumpets of
Iced Blue Vagaries, 1997
Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium; installation: Born of Landscape Linoleum
Saatchi & Saatchi Collection, London; installation: Bowtied in the Middle and installation: Edge of Hothouse Glass
Stedelijk Museum, Amsterdam, The Netherlands; installation: Coupling, 1998
Ulrich Museum, Wichita State University, Wichita, Kansas
Westfälischer Kunstverein, Münster, Germany
Centraal Museum, Utrecht, The Netherlands
Birmingham Museum of Art
Corcoran Gallery of Art, Washington, DC

Curated exhibitions:

2010
Tang Teaching Museum, Skidmore College, Saratoga Springs, NY, The Jewel Thief

Selected Monographs, Solo Exhibition Catalogues, Brochures, Artist Books:

2011
Jessica Stockholder: Grab grassy this moment your I’s, published by Laumeier Sculpture Park

2010
ABC Taste: The Perfect Guest, Captures Editions

2009
Jessica Stockholder Coating, solo project book published by les Compagnons du Sagittaire
Jessica Stockholder: Flooded Chambers Maid, published by Madison Square Art

2005
Jessica Stockholder: White Light Laid Frozen-Bright Longing and Soggy Up the Hill, exhibition catalogue published by Kunsthallen Brandts, Odense, Denmark

2003
Jessica Stockholder, Kissing the Wall: Works, 1988-2003, Blaffer Gallery

2002
Jessica Stockholder: exhibition catalogue published by K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf and Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany

2001
Jessica Stockholder: Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder), exhibition catalogue published by Varlag für moderne Kunst, Nürnberg, Germany with Kunstmuseum St. Gallen, St. Gallen, Switzerland

2000
Jessica Stockholder: First Cousin Once Removed or Cinema of Brushing Skin, exhibition catalogue published by The Power Plant, Toronto, Canada (

1999
Jessica Stockholder: With Wanton Heed and Giddy Cunning Hedging Red and That's Not Funny, exhibition catalogue published by Centre for Visual Arts, Cardiff, Wales

1998
Fabian Marcaccio & Jessica Stockholder, exhibition catalogue published by Sammlung Goetz, München, Germany

1998
Meschede, Friedrich. Laocoon or, On the Limits of Sculpture and Installation by Jessica Stockholder. Meyer-Stoll, Christiane. The World as a Living Organism Ryan, David. Paradoxical Networks: Interview with Fabian Marcaccio Schmidt, Eva. Complexity of Boundaries: Interview with Jessica Stockholder Volk, Gregory. An Integration of Mysterious Connections
Jessica Stockholder: Nit- Picking Trumpets of Iced Blue Vagaries, Musee Des Beaux-Arts De Nantes

1997
Jessica Stockholder: Landscape Linoleum, exhibition catalogue published by
Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium
Hilty, Greg. Response to an Invitation: Jessica Stockholder in Munich. Meewis, Menno. Foreword
Stockholder, Jessica. Landscape Linoleum
Jessica Stockholder: Slab of Skinned Water, Cubed Chicken & White Sauce, Kunstnernes Hus, Jessica Stockholder, Asmund Thorkilden, Jamie Parslow
Jessica Stockholder: Nit Picking Trumpets of Iced Blue Vagueries, exhibition catalogue published by Musée des Beaux-Arts de Nantes, Nantes, France
Jessica Stockholder, exhibition catalogue published by Musée Picasso d'Antibes, Antibes, France (installation: “Torque, Jelly Role, and Goose Bump”)
Jessica Stockholder: 9 Installations, artist book published by Edition du Centre d'art imprimé, Paris, France (Edition of 75, signed / numbered)
Jessica Stockholder: Slab of Skinned Water, Cubed Chicken & White Sauce, exhibition catalogue published by Kunstnernes Hus, Oslo, Norway

1996
The Point of Departure: Moira Dryer, Jessica Stockholder, exhibition brochure published by Gallery of Art, Johnson County Community College, Overland, Park, KS

Jessica Stockholder: 200 Drawings, exhibition catalogue published by Baxter Gallery, Maine College of Art, Portland, ME
Jessica Stockholder:Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume; artist's book published by Dia Center for the Arts, New York, NY
Jessica Stockholder, exhibition catalogue published by Studio La Città, Verona, Italy (no ISBN) Italian and English
1995
Jessica Stockholder: Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume; exhibition brochure published by Dia Center for the Arts, New York, NY
Jessica Stockholder; monograph published by Phaidon Press, Ltd., London, England
Jessica Stockholder: Sweet for Three Oranges; exhibition catalogue published by Fundació “la Caixa”, Barcelona, Spain

1993
Pink Lady: Jessica Stockholder; exhibition catalogue published by Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
Jessica Stockholder: Edge of Hothouse Glass; exhibition catalogue published by Carré d'Art Musée d'Art Contemporain de Nîmes, France
Jessica Stockholder; exhibition catalogue published by Westfälischer Kunstverein, Münster, Germany and Kunsthalle Zürich, Zürich, Switzerland
Jessica Stockholder; exhibition catalogue published by Witte de With, Rotterdam, The Netherlands & Renaissance Society, University of Chicago, Chicago, IL

1991
Peter Nadin / Jessica Stockholder; exhibition catalogue published by Warren Adelson Gallery, New York, NY (no ISBN) English
Westreich, Thea. PICK-UP

Jessica Stockholder; exhibition catalogue published by The Contemporary Art Gallery, Vancouver, Canada (ISBN:0-920751-15-6) English Holmes, Mark. It's Not Over 'Til The Fat Lady Sings

Jessica Stockholder Copyright 1991 by John Miller, Jessica Stockholder, The Renaissance Society at the University of Chicago, and Witte de With Center for Contemporary Art, Rotterdam

SELECTED BIBLIOGRAPHY:

2011
Princenthal, Nancy. Art in America, The Jewel Thief, January 5, 2011
Cotter, Holland. The New York Times, New Sparkle for an Abstract Ensemble, Jan. 6

2010
Asthoff, Jens. Artforum.com, Jessica Stockholder: Peer Out to See, December

2009
Kino, Carol. The New York Times Arts and Leisure, June 14, 2009. Go Ahead, Play With (And On) the Art
The L Magazine, Art Fag City. Two Great Shows in Chelsea, May, 22
Jessica Stockholder Coating solo project book published by les Compagnons du Sagittaire

2007
Lehrer-Graiwer, Sarah. Artforum.com, Critics’ Picks: Jessica Stockholder, 1301 PE, September 13

2006
Schambelan, Elizabeth. Artforum, 1000 Words: Jessica Stockholder, Jan. 2006; pp. 206-07
Schwendener, Martha. The New York Times, Jessica Stockholder at Mitchell- Innes & Nash, Art in Review, September 29
Schjeldahl, Peter. The New Yorker, Art Stockpiled, Jessica Stockholder, October 2
Buhmann, Stephanie The Brooklyn Rail, ArtSeen: Jessica Stockholder, November
Nadelman, Cynthia. Artnews, Jessica Stockholder, December
Kraft, Jessica. Contemporary, New York: Mitchell-Innes & Nash, Jessica Stockholder, No. 88
Lowenstein, Kate. Time Out New York, Jessica Stockholder: Of Standing Float Roots in Thin Air
Johnson, Ken. The New York Times, Constrasts in Sculpture, In Theme and in Medium, February 21, 2006

2005
Colpitt, Frances Art in America, Jessica Stockholder: A Merging of Mediums, Feb., pp. 92-97

2004
Barliant, Claire. Artforum.com, Critics' Picks: Jessica Stockholder, Rice University Art Gallery, 14 Oct; www.artforum.com/picks/place=Houston
Cheetham, Mark. Border Crossings, Crossovers, Visual Arts: Jessica Stockholder, Issue No. 91; pp. 122-125
Johnson, Ken. The New York Times, The 179th Annual, 14 May
Princethal, Nancy. Art in America, Jessica Stockholder at Gorney Bravin + Lee, March; p. 121
Verdier, Evence. Art Press, Jessica Stockholder, Fevrier 2004, pp.72-73

2003
Cohen, David. The New York Sun, Arts & Letters: Gallery-Going, 5 Nov; p. 15
Levin, Kim . The Village Voice, When a ‘tender collision’ becomes an artist’s ‘situation,’ 5-11 Nov.
Unsigned. Arte, September/ October 2003, P. 34, 35
Smith, Roberta, The New York Times, Review: Jessica Stockholder, 31 October; p.E41
Unsigned. The New Yorker, Reviews: Jessica Stockholder, 3 November; pp. 21-24
Yablonsky, Linda, Time Out New York, Art Reviews: Jessica Stockholder, 23 – 30 October; p. 79
Dannatt, Adrian, The Art Newspaper, Contemporary Commercial Galleries: Jessica Stockholder Table Top Sculpture,” No. 140, October; p. 3
Tumlir, Jan Frieze, Trespassing: Houses x Artists, Summer; p. 120
Roug, Louise, LA Times, Home as art, and vice versa, 15 May; p. F.4
Yablonsky, Linda, ARTnews, Even the Kitchen Sink, May; pp. 136-139, cover
unsigned, Artforum, The 1980’s: Part Two, April; p. 112

2002
Leinz, Gottlieb Vernissage, Jessica Stockholder: Jenseits der Malerei, Duisburg, Winter, pp.4-13
Müller-Tamm, Pia. Vernissage, Jessica Stockholder: On the Spending Money Tenderly, Eine Installation in K20 Kunstsammlung Nordrhein_Westfalen, Winter; pp.14-15

2001
D'Souza, Aruna . Art in America, Reviews: Jessica Stockholder at Gorney Bravin + Lee, Oct.; p. 157
Pollack, Barbara. ARTnews, Reviews: Jessica Stockholder at Gorney Bravin + Lee, Summer; p. 174
Chambers, Christopher. Flash Art, Jessica Stockholder at Gorney Bravin + Lee, May-June; p. 151
unsigned. The New Yorker, Galleries Downtown: Jessica Stockholder, 12 March; p.27
Cotter, Holland. The New York Times, Review: Jessica Stockholder , 2 March; E37
unsigned. Art on Paper, Working Proof: Jessica Stockholder, March-April.
Levin, Kim. The Village Voice, Voice Choices: Jessica Stockholder, 27 Feb.
Ryan, David. CVA (Contemporary Visual Arts)(England), Jessica Stockholder: the theater of the inferred, Issue 32, 2001; pp.30-35

2000
Berg, Ronald. Der Tagesspiegel, Die Dienstleister, 2 December, p.30
Lütgens, Annelie. Der Tagesspiegel, Schnittemenge Schwitters, 17/18 October
Möcklinghoff, Heidi. Münstersche Zeitung, Mit Pop-Vater in die Abfallkunst, 12 Sept.
Bosetti, Petra. Art (Hamburg), Auf die Besucher wird geschlossen, September
unsigned. Hannover Live, Kunst: Sprengel Museum: Aller Anfang ist MERZ, September
Müller, Dorothee. Süddeutsche Zeitung, Kurt Schwitters - Kein Fall fur den Abfall, 28 Aug.
Winter, Peter. Frankfurter Allgemeine Zeitung, Ursonate in der Kathedrale des erotischen
Elends, 25 Aug.
Bunte, Ursula. Kölnische Rundschau, Alle Dinge der Welt vernüpft, 25 August.
E., I. www.oraos.com, De Kurt Schwitters à aujourd'hui, 24 August.
Stockmann, Jochen. Focus (München), Müll war sein Motiv, 21 August.
Glanz, Alexandra. Hannoversche Allgemeine Zeitung, Die Dinge der Welt, 19/20 August.
klara. Hannover Woche, So viel Schwitters war noch nie da, 4 - 25 August.
Glanz, Alexandra. Hannoversche Allgemeine Zeitung, Das Sommergeschwitter, 4 August.
Restorff, Jorg. Kunstzeitung (Regensburg), Prinzip Collage, August.
Eakin, Hugh. Artnews, Dia's New Direction, June, p.134-137 (news)

1999
Feaver, William. Artnews, The Century’s 25 Most Influential Artists: Picasso, Leading Man, May, p.145 (editorial)
Milroy, Sarah. The Globe and Mail Visual Arts (Vancouver), Jessica Stockholder's Material World, 2 Jan.

1998
Hirsch, Faye. On Paper, Working Proof: Turning Paper, May/June, p.35-37 (interview about Two Palms' Turning Paper monotypes)
Zimmer, William. The New York Times, Show of Work Resembling Items at Hand, 15 Mar., p.16

1997
Storr, Robert. Artforum, Just Exquisite?: The Art of Richard Tuttle, Nov., pp.86-93, 130 (illus.+ mention)
Rubinstein, Raphael. Art in America, Abstraction Out of Bounds, Nov., pp. 104-115 (editorial)
unsigned. Scholastic Art, Artists Today, The Latest Trends in Art: Objects Transformed, Mar., pp.6-7, 16 (editorial)

1996
Wilson, MaLin. Art Issues (Los Angeles), Coming to Our Senses, Nov./ Dec., pp.18-21 (editorial)
Tomlinson, Jessica. Portland Press Herald, Target Art opening Invited Participation, Nov. 7.
Halley, Peter. Tema Celeste, Il silenzio di ghiaccio / Icy Silence, Autumn, pp.40-44,100-103
Wachtmeister, Marika. Femina (Stockholm), konst P† Gränsen Till Kaos, June, pp.88-92 (feat.)
Stockholder, Jessica. Independent Curators Incorporated Newsletter, New York Studio Events: Jessica Stockholder, Spring / Summer, p. 4 (studio conversation)
van den Boogerd, Dominic. Metropolis M, Ontbonden schilderkunst: Picturale ensceneringen van Rob Birza, Avery Preesman en Jessica Stock-holder, Apr., pp.24-29 (feat.)
Iannacci, Anthony. Kunst Bulletin (Zürich), Installation als Illustration eines Denkprozesses: Jessica Stockholder im Dia Center for the Arts, New York, Apr., pp.8-15 (feature)
Gardner, Paul. Artnews, Studio Visits: Pleasure, Pain & Protocol, Mar., p.106 (editorial)
Stockholder, Jessica. The New Yorker, Self-portrait by Jessica Stockholder (Dia), 4 Mar., p.36 (project)
Smith, Roberta, The New York Times, Art in Review, Feb. 3.
Levin, Kim, Village Voice, The Joy of Curating, Feb. 21.

Grants and Awards:

2007
Lucelia Artist Award, Smithsonian American Art Museum
Association Internationale des Critiques d’art, New England Chapter, First Place Award for the Best Installation or Single Work of Art in a Boston Museum
2001
August Seeling Preis, Freundeskreis Wilhelm Lehmbruck Museum e.V., Duisburg,
Germany
1996
John Solomon Guggenheim Fellowship Award, Visual Art
1989
New York Foundation for the Arts Grant in Painting
1988
National Endowment for the Arts Grant in Sculpture
1985
Susan H. Whedon Award, Yale University
First Alternate, Prix de Rome, American Academy of Rome

Artist Publications

MATERIAL
JESSICA STOCKHOLDER - GRAB GRASSY THIS MOMENT YOUR I'S

Artist Exhibitions

Jessica Stockholder - September 9 - October 14, 2006
Concrete Works - June 2 - July 27, 2007
Jessica Stockholder - Sailcloth Tears - May 7 - June 20, 2009
December - Organized by Howie Chen - December 10, 2011 - January 21, 2012

Artist Images

2006, Plastic lids, plastic parts, hardware, brackets, lamps, paper mache, paint, extension cords, plastic ball, dishwashing scrubby
104 by 47 by 63 in. 264.2 by 119.4 by 160 cm.


2008
Framed oil painting from TJ Maxx, green plastic, brown plastic, bamboo bead mat, yarn, cloth, copper, plastic bits, thread, lexal caulk, oil and acrylic paint, hardware
29 by 27 by 8 in. 73.7 by 68.6 by 20.3 cm.


2007
Vinyl, cloth, clamps, carpet, sheet aluminum, chicken wire, hardware, plastic coated cable, plastic parts, snap shots, plexi-glass, acrylic and oil paint, plastic zip ties, table base
94 by 53 by 26 in. 238.8 by 134.6 by 66 cm.


2009, Basket, hat, gray plastic pieces, hardware, acrylic paint, paper
29 by 14 by 4 in. 73.7 by 35.6 by 10.2 cm.


2006, Plastic baskets, mirror, nylon, carpet, tulle, thread, paint, yarn, squirrel trap, sculpy, blanket, shower curtain, roof flashing, fur, roofing tar, plastic ties
24 by 56 by 21 in. 61 by 142.2 by 53.3 cm.


2006, Plastic parts, cushion, fabric, wood, cable, shelf, yarn, electric cord, tulle, light fixture, paint
114 by 108 by 84 in. 289.6 by 274.3 by 213.4 cm.


2006, Fluorescent light, bicycle rack, plastic waste basket, plastic thermos, red light bulb and fixture with plastic pitcher shade, yellow plastic crates, electric wires, wooden stool and bench, plywood, rubber mat, metal flashing, plastic ties, acrylic and oil paint and orange weight for weight lifting
Installed: 64 by 81 by 80 in. 162.6 by 205.7 by 203.2 cm.


Two Frames
2007
93 by 51 by 22 in. 236.2 by 129.5 by 55.9 cm.


Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume
1995
(detail) Installation, DIA Center for the Arts, New York


2006, Bamboo flooring boards, 2 green plastic bins, green thermos, lamp parts, plastic volume with tulle, wooden stool, hardware, rope, acrylic and oil paint, level caulking used as a primer on plastic and small plastic parts
Installed: 96 by 144 by 112 in. 243.8 by 365.8 by 284.5 cm.


1997, Couch cushions, plastic container lids, shoe laces, hardware, chain, plastic scoop and toilet plunger, oil and acrylic, flashing
Installed: 65" high x 57" wide x 36" deep.


Growing Rock Candy Mountain Grasses in Canned Sand
1992
Westfalischer Kunstverein, Munster, Germany
Violet bathing suit material, sand stone native to Munster, gaseous concrete building blocks, plaster, basket material, electrical wiring, 3 very small lights, newspaper glued to the wall, acrylic paint, metal cables, and Styrofoam.


Bright Longing and Soggy Up the Hill
2005
(Detail)
Installation at Kunsthallen Brandts, Odense, Denmark


White Light Laid Frozen
2005
(Detail) 40 heaters, rope, painted shelf and locker, various sources of light.
Installation at Kunsthallen Brandts, Odense, Denmark


2009, Stone, two metal brackets, plastic board, upholstered plywood, plastic parts, plastic sheeting, silver string, yarn, grommets, oil and acrylic paint, fabric tape
56 by 26 by 12 in. 142.2 by 66 by 30.5 cm.


2009, Pillow, plastic bowls, acrylic paint, orange plastic flipper, green wire, yarn, hardware, plastic parts, painted pole, pole stand, wire
90 1/2 by 30 by 25 in. 229.9 by 76.2 by 63.5 cm.


JUSTINE KURLAND
Astride Mama Burro, Now Dead
2007
C-print
40 by 50 in. 101.6 by 127 cm.


2011
Wood, hardware, can, rubber ball and oil paint
18 by 11 by 8 in. 45.7 by 27.9 by 20.3 cm.


2010
Black plastic parts, black metal lamp shade, hardware, tree root, carpet, pink plastic, extruded aluminum part, yarn, fake lemons, paper, acrylic paint
Installed: 67 by 62 by 27 in. 170.2 by 157.5 by 68.6 cm.


2010
Plastic parts, vinyl fabric, rubber ball, nails, metal part, lexal caulking, pink and orange tape, ribbon, string
Installed: 19 by 22 by 9 in. 48.3 by 55.9 by 22.9 cm.


Jewels
2010
Tin foil, plastic parts, fluorescent plastic vinyl, glass door handle, crocheted copper wire, acrylic paint, hardware, bamboo flooring, plastic mat, crochet thread
Installed: 18 by 16 by 4 1/2 in. 45.7 by 40.6 by 11.4 cm.


Sharp Cloud
2011
Plastic containers, chain, wire, broken blue pottery, bungee cords - black and green, driveway mirror on weight, power strip, zip ties, rubber mat, fluorescent orange vinyl, orange extension cord loop, light fixtures, fluorescent light bulbs, blue rubber bath mat
Installed: Variable height, 31 by 42 in. 79 by 107 cm.


2010
Wooden tables, glass balls, orange rubberized cushion, vinyl sheet, tulle, oil paint, and hardware
52 1/2 by 28 by 25 in. 133.4 by 71.1 by 63.5 cm.


Peer Out To See
2010
Palacio de Cristal, Reina Sofia Museum, Madrid
Installation (detail)


Wide eyes smear here dear
2009
Denver Art Museum
Installation (detail)


Flooded Chambers Maid
2009
Installation (detail)
Madison Square Park, New York