Artist
Keltie Ferris
Artist
Keltie Ferris

Born in Louisville, KY, 1977.
Lives and works in Brooklyn, NY.

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Related Publications

Selected Press

April 2, 20214
The Brooklyn Rail
Keltie Ferris with Jarrett Earnest
In Conversation

Keltie Ferris is known for large paintings that lap, layer upon layer, into glimmering pictorial spaces; like her, they are utterly debonair. Last month she debuted Body Prints at Chapter NY, surprising new works which, as the title suggests, are impressions of her body on paper. Ferris’s paintings can also be seen in the 2014 Invitational Exhibition of Visual Arts at the American Academy of Arts and Letters (March 6 – April 12) where she received the Rosenthal Family Foundation Award in painting. She met with Jarrett Earnest in her studio to discuss bodies, abstraction, and color-feelings over beer and mint tea, respectively.

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January 2013
Artforum
Keltie Ferris
By Nathaniel Lee

The most noticeable, and therefore notable, features of Keltie Ferris’s well-lavished paintings are their two most immediate strata: Ferris finishes off her large-scale abstractions with arrays of spray-painted dots and dashes and then returns with a brush loaded with a higher-intensity, contrasting color to lay down short, chunky strokes tightly packed in vertical, parallel arrangements around the previous layer.

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December 21, 2012
The Wall Street Journal
Immersed in the Hubbub
By Peter Plagens

One of the more difficult tasks for younger artists is to make abstract painting genuinely new—that is, sincerely and intelligently felt instead of performed (as with too much geometric work) or blurted out (as with too much AbEx-redux brushwork) like a rant in a family argument. Keltie Ferris, a 35-year-old painter born in Kentucky, educated at Yale's art school and now living in Brooklyn, has followed a not uncommon path. Uncommonly, she's managed to come up with something fairly fresh.

Download PDF The Wall Street Journal
December 16, 2012
Hyperallergic
Risky Business: Keltie Ferris' Collisions of Improvisation and Decay
By John Yau

At some point while I was walking around the spacious exhibition space of Mitchell-Innes & Nash, it struck me that Keltie Ferris’s paintings no longer seemed to be making obvious allusions to Joan Mitchell, Frank Stella, and Piet Mondrian. This may have been due to the order in which I looked at the paintings, but as I went from one to the next I could sense her increasing confidence.

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December 2012
The New Yorker
Keltie Ferris

Picture Monet’s garden as a graffiti-tagged plot in Bushwick and you get some sense of the grit, bravado, and beauty of these big abstract paintings made of oil, spray paint, and pastel.

Download PDF The New Yorker
December 13, 2012
The New York Times
Keltie Ferris

Keltie Ferris’s big, scintillating paintings recall a time a half-century ago when the introduction of a new style in abstract painting could be regarded as an event of seismic significance. 

Download PDF The New York Times
November 27, 2012
Interview Magazine
Keltie Ferris, People Person
By Angela Ledgerwood

"Sometimes I think of my paintings as people," says the Brooklyn-based artist Keltie Ferris, whose solo show runs Nov. 29–Jan. 12 at Mitchell-Innes & Nash in New York.

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December 2010
New York Times
KELTIE FERRIS: KF + CM 4EVER
Roberta Smith

Keltie Ferris paints with her own kind of well-informed vengeance, and it gives her abstractions a taut, slightly hard-bitten decorative verve. 

Download PDF KELTIE FERRIS: KF + CM 4EVER
March 2010
Art Review
Besides, With, Against, and Yet
TJ Carlin

Painting is certainly not 'all dead' (see The Princess Bride). If we run with the analogy of its being mostly dead, its hope for resuscitation and direction is definitely through recontextualisation. 

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February 2010
The Art Newspaper
Keltie Ferris Bringing back the boogie
Emily Sharpe

He-She, 2010, by 32-year-old Louisville-born, Brooklyn-based artist Keltie Ferris dominates the stand of Horton Gallery (Sunday L.E.S.) (P94/750/850).  

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March 2009
Artforum
Keltie Ferris at SUNDAY
Martha Schwendener

Keltie Ferris--a 2006 Yale MFA who participated in the height-of-the-market, art-department-raiding exhibition "School Days" at Jack Tilton Gallery in 2006--has a lot of good ideas, even if they're not all fully developed yet. 

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March 2008
Modern Painters
Keltie Ferris at SUNDAY
Joseph Wolin

Armed with a palette knife and a spray gun, Keltie Ferris grapples with the idiom of gestrual abstraction in her first New York solo show, "Dear Sir or Madam."

Download PDF Modern Painters Keltie Ferris Review
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