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"Fire and forget" comes from military jargon, and is a term for weapons systems that are no longer used in direct combat with an enemy but are launched from a safe distance. The exhibition FIRE AND FORGET. ON VIOLENCE takes the military expression as the starting point for an examination of the conventional ideas about war and force. It is oriented towards the most visible agent of violence: weapons.

FIRE AND FORGET. ON VIOLENCE applies the means of contemporary art to address the long-term effects of these new weapons on the human psyche.The loss of a direct, physical confrontation and the danger for one's own life had created, separates the violent situation itself from affects like reluctance for killing or overreaction, sympathy or hate. What may this mean for the arguments and evidence of political action? Which meaning does this context of the story receive: the memory and forgetting of an outburst, escalation or the prevention of violence? and which interest does art have in all this?

Curated by Ellen Blumenstein and Daniel Tyradellis

With works by Marina Abramović and Ulay; Ron Amir; Julius von Bismarck; Roy Brand, Ori Scialom and Keren Yeala Golan; James Bridle; Luis Camnitzer; Mircea Cantor; Jota Castro; Chto Delat; Marcelo Cidade; Jem Cohen; Martin Dammann; Öyvind Fahlström; Harun Farocki; Daniil Galkin; Rudolf Herz; Damien Hirst; Clara Ianni; Emily Jacir; Hunter Jonakin; Joachim Koester; Korpys/Löffler; Barbara Kruger; Armin Linke; Robert Longo; Jazmín López; Kris Martin; Ana Mendieta; Michael Müller; Timo Nasseri; NEOZOON; Katja Novitskova; Jon Rafman; Pipilotti Rist; Robbert&Frank Frank&Robbert; André Robillard; Julian Röder; Henning Rogge; Martha Rosler; Hrair Sarkissian; Santiago Sierra; Timur Si-Qin; Tal R; Javier Téllez; Sharif Waked; Gillian Wearing; He Xiangyu; Amir Yatziv; Ala Younis.