By Cate McQuaid
                        
                                                                                                                                                                                                                                                                                                                        
                    At the Rose and Davis museums, in between representation and abstraction
                    
                                            The Boston Globe
                                                                                                                            
                                October 27, 2017
                            
                                                                                                                                                                                                                                                                                                                                                                                                 
                                                                                                                                                                                                                                                                Martinez doodles with a Sharpie, then blows up the sketch. The muscularity of his lines echoes his experience as a graffiti artist, and he walks a path between drawing and painting pioneered by Cy Twombly.
The black lines retain the doodle’s nonchalance, but the scale raises the stakes. Martinez fills in, paints over and around with self-effacing colors like avocado green and wan tomato red. He sprays, dabs, smudges and presses paint — his textures agitate, as do his rough, jagged lines. He tacks on bits of cloth. His signature, a bold “EM,” is part of the spiraling game board, too. 
 
                                            
                                        
                                            
                            by Ann Binlot
                        
                                                                                                                                                                                                                                                                                                                        
                    Eddie Martinez Opens His First Museum Show At The Davis Museum
                    
                                            Forbes
                                                                                                                            
                                October 27, 2017
                            
                                                                                                                                                                                                                                                                                                                                                                                                 
                                                                                                                                                                                                                                                                The exhibition, titled Ants at a Picknic, which is on view until December 17, 2017, includes a series of new, frenetic large-scale mandala paintings, 17 tabletop painted bronze sculptures and drawings on paper. “The works in Ants at a Picknic make plain that Martinez has hit his stride,” said Dr. Lisa Fischman, Ruth Gordon Shapiro ’37 director of the Davis Museum and curator of the exhibition. “The cosmic hooks, the summoning of spirits, the virtuoso line, the command of color and composition — it all adds up to its own kind of brilliance.”