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GIDEON APPAH  If We Had a Thousand Years  2020

GIDEON APPAH

If We Had a Thousand Years

2020

Oil and acrylic on canvas

Diptych, overall: 93 1/4 by 117 1/4 in.  236.9 by 297.8 cm.

GIDEON APPAH  Remember Our Stars  2020

GIDEON APPAH

Remember Our Stars

2020

Oil and acrylic on canvas

78 by 78  in.  198.1 by 198.1 cm.

GIDEON APPAH  Matilda  2020

GIDEON APPAH

Matilda

2020

Oil and acrylic on canvas

46 7/8 by 39 1/4 in.  119.1 by 99.7 cm.

GIDEON APPAH  Rex  2020

GIDEON APPAH

Rex

2020

Oil and acrylic on canvas

78 by 77 7/8 in.  198.1 by 197.8 cm.

GIDEON APPAH  Teen Smoking on an Imaginary Street  2020

GIDEON APPAH

Teen Smoking on an Imaginary Street

2020

Oil and acrylic on canvas

78 1/4 by 58 1/2 in.  198.8 by 148.6 cm.

GIDEON APPAH  Most Precious  2020

GIDEON APPAH

Most Precious

2020

Oil and acrylic on canvas

47 1/16 by 39 5/16 in.  119.5 by 99.9 cm.

GIDEON APPAH  Portrait of a Lover and His Concubine  2020

GIDEON APPAH

Portrait of a Lover and His Concubine

2020

Acrylic on canvas

50 7/8 by 50 7/8 in.  129.2 by 129.2 cm.

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Installation view of Blue Boys Blues

GIDEON APPAH

Installation view of Blue Boys Blues at Mitchell-Innes & Nash, New York, 2020

Press Release

Mitchell-Innes & Nash is pleased to present its first solo presentation of Ghanaian artist, Gideon Appah (b. 1987) on view November 5 – December 5, 2020. In this new body of work, Appah expands on his mystical landscapes and dreamlike narratives in large-scale oil paintings that consider memory and tradition.

A mixed-media artist, Appah often draws from personal experiences to create works that are informed by life in Ghana’s capital of Accra, but this exhibition will mark a critical juncture in his practice that incorporates fictional and unknown places and people. In new otherworldly works, Appah’s compositional range is evident in both the city and domestic scenes that feature figures in positions of leisure as well as his depiction of ritual in areas where the land meets the sky. The compositions filled with reference to a city life of the past showcase architecture and fashion elements as well as smoking and car culture that nod to the 1970s and 1980s. Additionally, the surreal scenes of rural landscapes populated by unknown, indigenous people divorced from city influence are miraged with tropes from legend and myth. Here, he abandons the city scenes in order to consider what happens when the body cannot rely on other elements in the composition.

Appah uses thick, rough applications of pigment to build up his compositions. His treatment of flesh or earth is as much about feeling a sense of texture as it is about pure abstraction in order to reflect on a country’s national history. His paintings imbue an acute technicality, using color and scale as important signifiers in his work. Through nostalgic blues and verdigris, his worlds are abstracted and fragmented, with glimpses of nature and ghostly reflections barely visible. He focuses on presence or feelings evoked within his ethereal works, whether through a figure’s confrontation with the viewer to invite them into the scene or a glimpse inside a sensual, private moment where joy or ecstasy is experienced. This in turn alludes to the organic transformations of memories over time.