LEON KOSSOFF
Portrait of Mother Asleep
1963
Oil on board
63 1/2 by 49 1/2 in. 161.3 by 125.7 cm.

LEON KOSSOFF
Seated Woman
1957
oil on board
61 by 36 5/8 in. 154.9 by 93 cm.

LEON KOSSOFF
Seated Woman
1959
oil on board
53 3/8 by 36 ¾ in. 135.6 by 93.3 cm.

LEON KOSSOFF
Father Seated in Armchair no. 2
1960
oil on board
48 3/8 by 38 in. 122.9 by 96.5 cm.

LEON KOSSOFF
City Building Site
1961
Oil on board
48 3/4 by 62 3/4 in. 123.8 by 159.4 cm.

LEON KOSSOFF
Head of Mother
1965
Oil on board
24 1/8 by 21 1/2 in. 61.3 by 54.6 cm.

LEON KOSSOFF
Seated Nude no. 1
1963
Oil on board
64 by 49 in. 162.6 by 124.5 cm.

Press Release

DECEMBER 8, 2008 – NEW YORK: Mitchell-Innes & Nash is pleased to announce an exhibition of early oil paintings by the British artist Leon Kossoff in its Chelsea gallery from February 17 to March 28, 2009. On view for the first time in the US, the 12 paintings in this exhibition are among the finest examples of Kossoff's work and provide a timely investigation into his role within the School of London of the 1950s and 60s. The paintings on view all date from 1957-1967, and include figure paintings and cityscapes. As a key figure in the School of London, Leon Kossoff (b. 1926) has been described as one of the greatest British artists of the past four decades. He grew up in the East End of London and has lived in the city all his life. His work focuses on London's changing urban landscape and the human figure. Loyal to a limited number of models, Kossoff's portraits are mostly of members of his own family or very close friends. He is an artist who builds up thickly layered paintings that evoke a deep emotional response to the world as he experiences it. The artist has written: "London, like the paint I use, seems to be in my bloodstream. It's always moving – the skies, the streets, the buildings. The people who walk past me when I draw have become part of my life…..The fabric of my work through the last forty years has been dependent on those people who have so patiently sat for me, each one uniquely transforming my space by their presence." Kossoff's most recent US exhibitions were Drawn to Painting: Leon Kossoff-Drawings and Prints after Nicholas Poussin on view at the Los Angeles County Museum of Art in 2001; After Nicolas Poussin: New Etchings by Leon Kossoff traveled to The Metropolitan Museum of Art and the J. Paul Getty Museum, Los Angeles in 2000; and, Leon Kossoff: Recent Paintings and Drawings at Mitchell-Innes & Nash. International exhibitions of note include Leon Kossoff: Drawing from Painting at the National Gallery, London (2007), Leon Kossoff: Selected Paintings 1956 – 2000 at the Louisiana Museum of Modern Art in Humlebaek, Denmark (2002), Drawn to Painting: Leon Kossoff-Drawings and Prints after Nicholas Poussin at the National Gallery of Australia and Annandale Galleries, Sydney in 2002; a major retrospective at the Tate Gallery in London in 1996 and Kossoff's exhibition in the British Pavilion at the 1995 Venice Biennale. In conjunction with the exhibition, the gallery will publish a fully illustrated catalogue. Image Caption: Father Seated in Armchair no. 2, 1960, Oil on board, 48 ⅜ by 38 inches Press Contact: Lucy Dew LucyD@miandn.com