In a site-specific Threshold series installation, Jessica Stockholder transforms the Smart’s lobby with a wave of color and texture that climbs to the clerestory, cuts across the floor, and travels outwards into the Museum’s sculpture garden. Rose’s Inclination makes use of ordinary materials—thrift store lamps, paint, Plexiglas, carpet, and even mulch—to “reach up and out” and vibrantly alter the physical experience of the Smart Museum’s modernist architecture.View more Smart Museum of Art
When the Whitney Museum of American Art opens its new Renzo Piano-designed home in Manhattan’s Meatpacking District on May 1, 2015, the first exhibition on view will be an unprecedented selection of works from the Museum’s renowned permanent collection. Setting forth a distinctly new narrative, America Is Hard to See presents fresh perspectives on the Whitney’s collection and reflects upon art in the United States with over 600 works by some 400 artists, spanning the period from about 1900 to the present. The exhibition—its title is taken from a poem by Robert Frost and also used by the filmmaker Emile de Antonio for one of his political documentaries—is the most ambitious display to date of the Whitney’s collection.View more Whitney Museum of America Art
William Pope.L: Trinket is an exhibition of new and recent work by the Chicago-based artist, an essential figure in the development of performance and body art since the 1970s. The exhibition will be installed in the soaring spaces of the Geffen Contemporary at MOCA and is comprised of large-scale installations, and features a new performance and sculpture work made specifically for the exhibition. William Pope.L: Trinket is curated by MOCA Senior Curator Bennett Simpson.
Please join us on Saturday, March 7 at 2 pm, the final day of the Nancy Graves exhibition, for a panel discussion on the life and work of the artist. Moderated by Lucy Mitchell-Innes, the panelists will include Laura Hoptman, Curator, Department of Painting and Sculpture, The Museum of Modern Art, Christina Hunter, Director, Nancy Graves Foundation, New York, author and critic Christopher Lyon and artist Jessica Stockholder.View more Nancy Graves Foundation
Produced specifically for the Sign Show, "Plow Pose" investigates I-70 message themes including lifestyle, athletics, religion, and masculinity. The ambiguous composition—is the man restrained by or bursting out of the space?—invites viewers to think about representations of the human body on other billboards and in advertising generally. Haendel's piece also subtly engages its agricultural site in presenting a classic yoga position named for its resemblance to traditional Indian and Tibetan farming equipment.
"Plow Pose" continues a body of work Haendel generated from commercial photographs of women doing yoga, currently on view at Night Gallery in Los Angeles.View more Download PDF I-70 Sign Show
==#2 Launch @ LA Art Book Fair
Edited by Matt Keegan
Designed by Su Barber
Edition of 500
Thursday, January 29, 6–9 pm
The Geffen Contemporary at MOCA
152 North Central Avenue
Los Angeles, CA 90012
Thursday Preview Entry, $10
Capricious is pleased to announce the release of ==#2, made first available at the upcoming LA Art Book Fair, January 29th-February 1st, 2015. ==#2 is a non-thematic arts publication contained in a box with a 96-page bound volume featuring artist-to-artist interviews, texts, and transcriptions. Six loose multiples are also included.
View more LA Art Book Fair
The next Forum on Contemporary Photography at The Museum of Modern Art will take place on Monday, January 12, 2015 from 6 to 8 PM in the Founders Room at the Museum. Conceived as an experimental platform for free-form critical discussions, the Forums are designed to engage in debates about the perspectives and scope of contemporary photography with leading artists, curators, and theorists in the field.
This session will include Barbara Clausen, Curator and Professor for Performance Theory and History at the University of Québec; Lucy Gallun, Assistant Curator, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, who will lead a discussion about the relationship between photography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk-Kender, 1960–1971 (on view May 17–October 4, 2015 at The Museum of Modern Art), and Pier 54 (on view November 6 – December 13, 2014 organized by High Line Art at 120 Eleventh Avenue). These exhibitions present, in the first instance, photographs of conceptual art, actions, instructions, and happenings from the 1960s and early ‘70s, with an emphasis on the historic Pier 18 project; and in the second, photographs of contemporary art and actions enacted in 2014 on Pier 54.
A preface is usually written after the fact. And so is this thing you are about to read.
A performance of the text occurred on April 26, 2014 at the Whitney Museum of American Art and was enacted by five street artists (four Chinese and one Caucasian) who drew sketches of the audience. On my signal, they threw these sketches into the air. A dancer playing a waitress repeatedly dropped napkins beneath a sound track of drones, trains, and rains and me, yours truly, at the podium voicing a version of the text that follows. What does a preface ever really tell us? That something else follows. And the thing, the thing that follows, preceded the thing with which you first started.zzZView more The Limner Performance | Triple Canopy
Monday, November 17, 5:00 p.m.
Columbus Auditorium, 280 S. Columbus Dr.
Keltie Ferris was born in Louisville, KY, and lives and works in Brooklyn, New York. Recent solo exhibitions include Keltie Ferris: Doomsday Boogie at the Santa Monica Museum of Art, California, and Body Prints at Chapter, New York. Her works have been included in group exhibitions at institutions such as Contemporary Arts Museum of Houston, Texas; Brooklyn Museum, New York; and Indianapolis Museum of Contemporary Art, Indianapolis. She was recently awarded the Rosenthal Family Foundation Award in Painting by the Academy of Arts and Letters, where her work was included in their 2014 Annual Invitational Exhibition of Visual Arts.
Martha Rosler speaks at Paris Photo 2014 with writer and educator Stephanie Schwartz, discussing everything from her early work on the subject of the Bowery, the ethical responsibilities of photographers, the paucity of critics in the US, and the overall critical reception of her work.View more Watch on Vimeo
High Line Art presents Pier 54, an exhibition conceived as a tribute to and a reaction against Pier 18, a legendary project organized by artist and curator Willoughby Sharp in 1971.
November 6 - December 13, 2014
Exhibition at 120 Eleventh Avenue at West 20th Street
Tuesday - Saturday, 11 am - 6 pm
PUBLIC OPENING: November 6, 6 - 8 pm
‘Popular, witty, sexy, glamorous’ – pop art exploded onto the cultural scene in the 1960s. The pop artists rebelled against ‘high art’ to embrace the new world of advertising, television, film stars, pop music and consumerism. Pop art shocked many but inspired even more.View more Art Gallery of New South Wales
The American city of the 1960s and 1970s experienced seismic physical changes and social transformations, from urban decay and political protests to massive highways that threatened vibrant neighborhoods. Nowhere was this sense of crisis more evident than in the country’s three largest cities: New York, Chicago, and Los Angeles.View more Art Institute of Chicago
Chris Johanson, an artist featured in I was a double, brings the East Coast premiere of his Portland-based Quiet Music Festival to Saratoga Springs. Johanson, festival founder and organizer, describes the event as a communal listening experience that celebrates emotional, vibrant, and low-volume music honoring the quiet act of listening. Johnason’s band Sun Foot will be joined by national and regional guests.View more Tang Musuem
This exhibition connects the works of fifteen artists and one group; it presents a brief personal history of the radical tendencies of modern and contemporary art in Croatia.View more Carré d’Art – Musée d’Art Contemporain, Nîmes, France
Never before has the fall season for the Castello di Rivoli been so full of events and important exhibitions. Among these is one of the most comprehensive the Museum has ever conceived, installed in both the spacious Manica Lunga and in the third-floor rooms of the Sabauda Residence. The event – Manifest Intention. Drawing In All Its Forms – focuses on drawing in its various forms and many modes of expression: from everyday and self-controlled practice to elements of analysis and creative outlets, from a means of communication to the need to express. The absolute protagonist of the exhibition, drawing also proposes a broader reflection on themes that over time have shaped the very concept of a museum and a collection, analyzing the medium’s context both as a sign of the work and as the work itself. Drawing, oftentimes hidden or kept in the shadows, is actually the common ground of artistic practice – be it a sketch, a project, or even a work that is finished and laden with messages.View more Castello di Rivoli
Justine Kurland and Alec Soth In Conversation with Denise Wolff
Presented by the Aperture Foundation
Artists Justine Kurland and Alec Soth (Weinstein Gallery) will speak with “Aperture” Photobook Editor Denise Wolff about “The Open Road: Photography and the American Road Trip,” the first survey book to consider the American road trip as a photographic genre. The book presents some of the best-loved photography, and the story of the open road as photographer’s muse.View more Dialogues | EXPO Chicago
On the occasion of the anniversary of the nineties and the tenth anniversary of the death of Julije Knifer (Osijek, 1924 - Paris, 2004). Museum of Modern Art will hold a retrospective of one of the greatest Croatian painters of the 20th century, which will cover more than half a century of his artistic activity.View more Museum of Contemporary Art, Zagreb
IN/SITU provides exhibiting galleries the opportunity to showcase large-scale installations and site-specific works by leading artists during EXPO CHICAGO. Curated by Renaud Proch, Executive Director of Independent Curators International (ICI), the 2014 edition of the program is a reflection on artistic practice in Chicago, and on the intense exchange of ideas that the city generates.
At Navy Pier, IN/SITU is also presented alongside EXPO Projects, organized by EXPO CHICAGO and highlighting works by emerging and established artists.
This year and for the first time, IN/SITU connects to the city beyond its traditional site in Navy Pier. It now extends to IN/SITU Outside, an inaugural program of temporary public art installations situated along the Lakefront and throughout Chicago neighborhoods, presented by EXPO CHICAGO in partnership with Chicago Park District (CPD) and Department of Cultural Affairs and Special Events (DCASE).View more IN/SITU - EXPO Chicago
A powerful moment occurs when a narrative is cracked open, when something one expects to be presented simply for what it is, or even more, for fact, is left unguarded as one possibility among many. Suddenly, experiences or information, most typically taken for granted, are made accessible to reflection, debate and perhaps even, a deeper understanding or feeling than would have been possible before.View more Cornell Fine Arts Museum
Broadway Morey Boogie, a group exhibition of outdoor sculpture by Sarah Braman, Dan Colen, Paul Druecke, Lars Fisk, Drew Heitzler, Matt Johnson, Joanna Malinowska, Tony Matelli, Davina Semo, and Devin Troy Strother. The exhibition presented by Marlborough Chelsea, in collaboration with the Broadway Mall Association, runs from Columbus Circle up to 166th and Broadway until February of 2015.View more Broadway Mall Association: Broadway Morey Boogie
Join this special hands-on workshop with 2014 Outlooks artist, Virginia Overton, who will be joined by artist Mike Mitchell. Participants will learn about Virginia’s artistic process while creating their own noise-making artworks from found materials. Recommended for children 5 and up. This program will take place at the western approach to the Outlooks: Virginia Overton site.
If you are attending the event with small children, please allow for up to fifteen minutes of walking time from Museum Hill and South Parking to the site.View more Storm King Art Center
Gary Lichtenstein Editions at Mana presents Jessica Stockholder: trees, an exhibition featuring original silkscreen monoprints created by Stockholder and Lichtenstein as a result of their collaboration on the production of Hollow Places Court in Ash-Tree Wood for The Aldrich Contemporary Art Museum in 2011. On view from September 14 to October 24, 2014, the exhibition is presented at Gary Lichtenstein Editions, on the second floor of Mana Contemporary.View more Gary Lichtenstein Editions at Mana Contemporary
Justine Kurland: Sincere Auto Care has been selected for the opening night of this year's season of The Review Panel hosting by artcritical. This popular discussion forum, at the National Academy Museum, sees three critics join David Cohen, artcritical Editor and Publisher, as the moderator, each month for live discussion of current exhibitions in New York recorded for later podcast at artcritical.com.
View more artcritical
The Dorsky Museum is delighted to present Dick Polich: Transforming Metal into Art, an exhibition of work by some of the most important artists of our time who have worked with Hudson Valley Master Dick Polich. Organized by the Samuel Dorsky Museum of Art at the State University of New York at New Paltz, the exhibition will be on display from Aug 27 through Dec. 14, 2014, in The Dorsky’s Morgan Anderson, Howard Greenberg Family, and Corridor Galleries. The public opening reception is Saturday, Sept. 6, 5–7 p.m.View more Samuel Dorsky Museum of Art
Ace Hotel New York invites you to take a trip to Storm King Art Center. For the month of August, we’re proudly displaying contemporary works on loan from the 500-acre institution — peeks at two special exhibitions on view in 2014: Zhang Huan: Evoking Tradition and Outlooks: Virginia Overton, as well as short video interviews and installation footage.View more The Gallery at Ace Hotel New York
This groundbreaking exhibition is the first comprehensive survey of performance art by black artists working from the perspective of the visual arts from the 1960s to the present. While black performance has been largely contextualized as an extension of theater, visual artists have integrated performance into their work for more than five decades, generating an important history that has gone largely unrecognized until now.View more Walker Art Center
Western classical music traditionally splits music making into two distinctly separate jobs—composer and performer. The composer invents the ideas behind the music and the performer realizes them. Sometimes the composer and performer are the same person, sometimes they are separated by hundreds of years, but even across great distances of time and space the composer and performer can communicate with each other, through a series of written instructions, called a score. A score is a set of instructions, a rule book, a description of actions the composer proposes to the performer. We value composers by noticing what qualities of rules they invent; we value performers by noticing what they add to / change / emphasize / ignore in the following of those rules. They are two very different jobs.View more Tang Musuem
The exhibited works are on loan from the collection of Museum of Contemporary Art, Zagreb, which will exhibit a large retrospective of Julije Knifer's work in the Fall of works from the 70s up until the last century. These works are presented along side a selection of documents, which are kept in the Archive of Visual Arts Croatian Academy of Sciences and Arts in Zagreb. Izložba was established by the Ministry of Culture and the city of Osijek, which provided the Museum of Slavonia with the funds to purchase one of Knifer drawings, which is also featured in the exhibition.View more Museum of Slavonia, Osijek
“Well into the twenty-first century, artists use variations on the copy (as a strategy, process, or maneuver) to bestow ironic distance, nod in homage, or to furnish an indexical mark of reality. If the copy’s history in art begins, most basically, with the mimetic act—the imitation of nature by human hands—the primacy of realism has arguably since been superseded by the conceptual possibilities of the copy itself. The notion of the copy that springs most readily to mind may be that involving technologies of facsimile (optical, physical; by hand, by machine) but the copy also includes the knock-off, the remake, the reenactment, the meme. At stake in each of these practices—and in “Copied” as an exhibition—is an investigation of what is made or unmade through the act of copying, the ratio of signal to noise that results in the passage from original to offspring.”View more Andrew Roth
The second artist to be featured in Storm King’s Outlooks series is American artist Virginia Overton. Overton has created a site-specific brass sculpture across an expansive, central, rolling field. A thin tube, some 400 feet in length, will mirror the contours and curves of the sloping hill, carrying sound, picking up slight noises, and allowing visitors different aural experiences on their outdoor treks. The piece suggests tripartite interactivity between itself, Storm King’s visitors, and the topography of its setting.View more Storm King Art Center
Walead Beshty will give a walk-through of the Jay DeFeo exhibition on view at Mitchell-Innes & Nash's Chelsea location on Saturday, May 3rd at 3 pm.
A fully illustrated catalogue will be published to accompany the exhibition with an essay written by Beshty titled “The Ritual of Everyday Life: On the Migrating Objects of Jay DeFeo”.View more Jay DeFeo
The Conversations, organized by independent curator Douglas Fogle, will offer visitors multiple intellectual perspectives on the use of images by bringing together notable curators and contemporary artists for a discussion of the practice of image-making. Participants will include artists and curators: Walead Beshty, Simon Castets, Doryun Chong, Charlotte Cotton, Clara Kim, Florian Maier-Aichen, Jean-Luc Moulène, Leigh Ledare, Kevin Tent, Stephen Shore, Taryn Simon, Frances Stark, Kerry Tribe, Philippe Vergne and Jeff Wall.View more Paris Photo Los Angeles
MOCA’s presentation of work by sculptor and installation artist Virginia Overton will encompass new and site-specific works that directly confront the exhibition space and its surrounding materials, which she sources for these pieces. These repurposed obsolete and ordinary objects often embody a heightened awareness of weight, gravity, and suspension. Overton (b. 1971) works from the tradition of post-Minimalism, creating powerful, poetic situations from simple constructions and materials.View more MOCA North Miami
For centuries, the art world and art market were dominated by men—just look at Giorgio Vasari’s The Lives of the Artists, or, more recently, Jonathan Jones’s all-male list of the greatest artworks ever—but that’s beginning to change. Women now occupy top positions in every sector of the art world, and though they are still paid less than their male colleagues in similar roles, they are slowly helping to right the industry’s historic gender imbalance. Herewith, artnet News recognizes the invaluable work of 25 art world power players who are women.View more Download PDF ARTnews
William Pope.L will participate in Triple Canopy's Media Replication Services at The Whitney Museum of American Art on April 26, 2014 at 6:30 pm.
William Pope.L will join scholar Lisa Gitelman and poet Caroline Bergvall in considering the various forms of reproduction enacted in Triple Canopy's 2014 Biennial installation, Pointing Machines. Media Replication Services and Pointing Machines are components of Triple Canopy’s contribution to the Whitney Biennial. Tickets for the event may be purchased in advance by clicking here.
For more information on the event and Triple Canopy, please click here.View more Triple Canopy
New York, March 17, 2014 — The American Academy of Arts and Letters announced today the eleven artists who will receive its 2014 awards in art. The awards will be presented in New York City in May at the Academy’s annual Ceremonial. The art prizes, totaling $112,500, honor both established and emerging artists. The award winners were chosen from a group of 37 artists who had been invited to participate in the Invitational Exhibition of Visual Arts, which opened on March 6, 2014. The Exhibition continues through April 12, 2014, and features over 120 paintings, sculptures, photographs, and works on paper. The members of this year’s award committee were: Lynda Benglis, Varujan Boghosian, Eric Fischl (Chairman), Yvonne Jacquette, Catherine Murphy, Philip Pearlstein, Judy Pfaff, Paul Resika, Dorothea Rockburne, and Terry Winters.View more The Academy of Arts and Letters
Celebrating the publication of Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia author and curator Katherine Bussard joins two leading lights of contemporary art, Martha Rosler and Philip-Lorca diCorcia to discuss how cities, especially New York, have shaped their practice's engagement with street photography.View more Download PDF New York Public Library
At the beginning of the 1990s, Martin Kersels experimented with his body. As an active member of the group SHRIMPS (Paul Casey, Gayle Youngquist, Steve Nagler, Ryan Hill et Weba Garretson), he performed a series of familiar and simple gestures: holding, throwing, falling, kissing, cadencing, rocking; performances that oscillated between radicality and the absurd, both transpiring through the photographs taken during the performance. Simultaneously, he developed a 3-dimensional work guided by movement. Inspired by objects and the body language of daily life, Martin Kersels builds not only staged spaces where body and machine interact, but also animated sculptures producing incongruous actions and sounds. The bizarre dimension of his work is only a façade, his plastic work is in fact underpinned by a conceptual and critical reflexion on our relations to the world and society. The constant discussion between bodies, space, and the object is an integral part of his practice.View more Download PDF Galerie Vallois
Ruffneck Constructivists, a group exhibition curated by artist Kara Walker brings together eleven international artists in order to define a contemporary manifesto of urban architecture and change. On view in ICA's First Floor Space from February 12 through August 17, 2014, the exhibition features sculpture, photography, and video. As Walker states, "Ruffneck Constructivists are defiant shapers of environments. Whatever their gender affiliation, Ruffnecks go hard when all around them they see weakness, softness, compromise, sermonizing, poverty, and lack; they don't change the world through conscious actions, instead they build themselves into the world one assault at a time."View more The Institute of Contemporary Art, Philadelphia
A collaborative project created exclusively for the LA Book Fair by Leigh Ledare and Nicolás Guagnini in conjunction with Andrew Roth and PPP Editions. It consists of an intervention into 126 books on the social sciences: Marxism, psychoanalysis, linguistics, anthropology, philosophy, literary and art criticism, cultural studies, and literature. The intervention consists of circular holes filled with a variation of positions and possibilities within human sexual interaction.View more LA Book Fair
Martin Kersels often plays with what's maladapted, off, and decidedly out of shape. Kersels's playfulness often emerges from his own body—in a nod to his physique, Kersels once called a solo show "Heavyweight Champion"—and deeply informs two of his career interests, sound and physical comedy.View more Watch Video
Without cynicism, these painters stage studio experiences in which one sees acts of painterly lovemaking accumulate over time. By tenderly examining the surfaces of their works, one can reconstruct the painterly decisions, additions, revisions, and erasures that lead to the finished image and thereby reconstruct the narrative by which the artists fall in love with their own work. The painterly pleasure they seek is like the fugitive lover whose loss has to be perpetually risked in order to keep their passion level high, and we, the audience, can experience that pleasure vicariously.View more Contemporary Arts Museum Houston
You are Here has been conceived around several contemporary artists whose art re-imagines the body and its boundaries. Incorporating a symbolic figurative presence as an alternative to the external appearance of a human figure – a traditional marker of our existence – these works locate the body through spaces, materials, sensations, and information that exist in relation to it (and to us).View more Worcester Art Museum
One of the recurring themes in California art over the past century is the relationship between abstraction and landscape. Particularly in Southern California, a deep schism opened up in the 1930s between naturalist landscape painters and those of a more modernist inclination, and the breach has never entirely healed. This exhibition, drawn entirely from OCMA’s collection, explores ways in which artists from the West Coast have played a role in transforming landscape into abstraction and then back again.View more Orange County Museum of Art
The exhibition debuts new sculpture, painting, and video by artist Sarah Braman. For the MFA, Braman has designed works in dynamically leaning cubes of colored glass that will respond directly to the natural glow emanating through the vaulted glass ceiling in the Linde Family wing for Contemporary Art.View more Museum of Fine Arts, Boston
Paul Winstanley will be present at Karsten Schubert on November 21st from 6-8 pm for the launch and signing of his most recent publication of Art School. Filled with photographs of unpopulated studios, Paul Winstanley’s exploration of British art schools highlights their importance at a time when the art school system’s existence is more fraught than ever.
View more Ridinghouse
Chris Martin will participate in See with Fingers a group exhibition curated by Laurel Sparks at The Barbara Walters Gallery. The exhibition will be open from November 21 – December 20, 2013 at the gallery’s location in the Heimbold Visual Arts Center at Sarah Lawrence College, Bronxville, New York.
An opening reception will be held on Thursday, November 21st from 5 – 7 PM.
Iconic performance artist William Pope.L's Cage Unrequited is a marathon reading of John Cage’s edited anthology, Silence: Lectures and Writings (1961) by over eighty invited collaborators. The performance functions as a refuge, proposing a relationship between the earlier artist’s ideas of indeterminacy, mysticism and chance and the work of contemporary black artists.View more The Studio Museum in Harlem
Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s through present-day practices, Radical Presence: Black Performance in Contemporary Art chronicles the emergence and development of black performance art over three generations, presenting a rich and complex look at this important facet of contemporary art. The exhibition comprises more than 100 works by some 36 artists, including video and photo documentation of performances, performance scores and installations, interactive works, and artworks created as a result of performance actions.View more Studio Museum in Harlem
From November 9, 2013 through March 2, 2014, the San Francisco Museum of Modern Art (SFMOMA) will present Project Los Altos: SFMOMA in Silicon Valley, an exhibition sited throughout the downtown commercial core of Los Altos, a town located in the heart of Silicon Valley. Project Los Altos will be on view at indoor and outdoor locations—ranging from commercial spaces to a public intersection—and include existing artworks as well as newly commissioned, site-responsive projects. Featured artists include Jeremy Blake, Spencer Finch, Charles Garoian, Christian Jankowski, Chris Johanson, Mike Mills, Kateřina Šedá, Alec Soth, and Jessica Stockholder.
View more Project Los Altos: SFMOMA in Silicon Valley
Forthcoming solo exhibition at The Modern Institute, Osborne Street, GlasglowThe Modern Institute
Chris Martin will be present at Printed Matter on October 26th from 5-7 pm for the launch and signing of his most recent publication of works, Drawings: Chris Martin. This impressive volume of drawings, selected by the artist and Dan Nadel, was published by PictureBox in 2013 and traces the development of Chris Martin's works on paper over the past three decades.View more Printed Matter
Westfälischer Kunstverein proudly presents Virginia Overton's first exhibition in Germany. Overton's sculptures appear sometimes rough, but always very direct and unique in that they arise from direct confrontation between the artist, the exhibition space and the existing or available materials.View more Download PDF Westfälischer Kunsteverein
My Crippled Friend investigates the recent history of the intersection of painterly abstraction and the object. While “painting as object” has often been a formalist issue, the works in this exhibition gather their identity through the subversion of formalism—scrambling and reassembling themselves in an aesthetic shell game where the act of painting is always an investigation of a painting’s ability to push into objecthood.View more Columbus College of Art & Design
A home truth can be simply understood as a fact that is somehow discomforting to acknowledge or may cause embarrassment. The work in this show may do all of those things. The title is there to be taken literally, or ironically. The concept of truths in parenting and photography are there to be questioned.View more The Photographers' Gallery
Virginia Overton will participate in a group exhibition at Disjecta, Contemporary Art Center of Portland. The exhibition was curated by Summer Guthery, Disjecta's 2013–2014 Curator-in-Residence. The exhibition includes works by Talia Chetrit, Shana Lutker, Virginia Overton, Marlo Pascual, Virginia Poundstone, RH Quaytman, Marina Rosenfeld, Blair Saxon-Hill.View more Disjecta, Contemporary Art Cneter of Portland
A Selection of the New Media Collection, Musée national d’art moderne, Centre Pompidou, Paris
As a medium, the video has been influenced by the full spectrum of aesthetic currents, and has established itself both as one of the most important contemporary means of artistic expression and as critical instrument. In collaboration with the Centre Pompidou Paris, the exhibition entitled “Vidéo Vintage 1963-1983” shows the emergence of video art from the 1960s to the early 1980s by way of a selection of the most popular works in video art. Of particular interest here is the selection of three focal points “Performance and Filmic Self-portrait”, “Television: Research, Experimentation, Criticism”, and “Attitudes, Forms, Concepts”, which show the development of the video, its artistic application as well as ‘research’ and criticism.View more National Museum of Modern and Contemporary Art
More Love gathers a diverse group of artists working in a range of media—video, photography, sculpture, sound, participatory art projects and choreographed events—to investigate how such an integral part of our everyday lives works. How are today’s ideas of relative truth and individual destiny, understood not just through the head but through the heart? What truth can be found in dialogue vs. hierarchy? What is the wisdom in love as opposed to our love of wisdom? This unique exhibition with new commissions and site-adapted installations brings together forty-five works by thirty artists.View more Cheekwood Art & Gardens
ENERGY THAT IS ALL AROUND features over 130 early and formative works by five artists—Chris Johanson, Margaret Kilgallen, Alicia McCarthy, Barry McGee, and Ruby Neri—who began their careers in the early 1990s in San Francisco’s Mission District and, by the early aughts, had been identified and celebrated as key members of the so-called Mission School. ENERGY THAT IS ALL AROUND will travel to Grey Art Gallery, New York University, April 15–July 12, 2014.View more ENERGY THAT IS ALL AROUND: San Francisco Art Institute
Radical Presence chronicles the emergence and develop-
ment of African American performance practices in contemporary art. Surveying the scene from the 1960s to the present day, this major exhibition examines the rich and complex history of black performance in the United States. The show features work of artists such as Benjamin Patterson, David Hammons, Senga Nengudi, and Coco Fusco.
A series of performances by participating artists accompanies the exhibition, which is presented in two parts: Part I, Sept. 10– Dec. 7, 2013, at the Grey Art Gallery, NYU; Part II, Nov. 14, 2013–Mar. 9, 2014, at The Studio Museum in Harlem. Radical Presence is organized by the Contemporary Arts Museum Houston.View more Grey Art Gallery
Place is the Space marks the beginning of a year-long celebration of the tenth anniversary of CAM's critically acclaimed building. Featuring five new site-specific commissions by major contemporary artists, the exhibition is an unprecedented curatorial collaboration between the building’s architect, Brad Cloepfil, founding principal of Allied Works Architecture, and Dominic Molon, CAM’s chief curator. Known for graceful sculptures that use raw materials such as drywall, mud, and wood beams, Overton will create an elegant arrangement of long metal pipes across architectural voids between the Museum’s main galleries and performance space and between the performance space and lobby.View more Contemporary Art Museum, St. Louis
The Art Production Fund, in conjunction with philanthropist Fabiola Beracasa, has announced the opening of an “outdoor pop-up exhibition” in the Long Island town of Montauk. The exhibition will be held in a vacant lot at 333 Old Montauk Highway, from Aug. 1 to Sept. 8, and will include site-specific installations by Anya Kielar, Virginia Overton and Olympia Scarry.
Opening Reception: Thursday, August 1, 6 - 8 pm
333 Old Montauk Highway
Los Angeles–based artist Amanda Ross-Ho’s first outdoor public art project, THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, explores how photography is similar to the act of seeing. Updating Joseph Beuys’s famous declaration “Everyone is an artist,” Ross-Ho suggests more specifically that today everyone is a photographer, as the ubiquity and speed of digital photography shapes the way we view and experience the world.View more MCA Chicago Plaza Project
Los Angeles—The Museum of Contemporary Art presents Within The River of Time Is My Mind, a new exhibition by Los Angeles-based artist Chris Johanson on view at MOCA Pacific Design Center from June 29 through September 22, 2013. Organized by guest curator Andrew Berardini, the exhibition features new paintings, sculpture, and found wood site-specific installation. Known for his figurative work that features text, the exhibition will highlight the kaleidoscopic color and angles that Johanson employs.View more Download PDF Chris Johanson: Within The River of Time Is My Mind
Highlights of the SFMOMA's Collection
Beyond Belief is an expansive exhibition exploring the spiritual dimensions of modern art, especially as seen through the lens of Jewish theological concepts. The exhibition features forty-eight internationally-known artists whose work—painting, sculpture, photography, video, and installation art—are all drawn from SFMOMA’s outstanding collection. Ranging from a 1914 abstraction by Dutch artist Piet Mondrian to a luminous 1960 abstraction by Mark Rothko and oversized prayer beads by contemporary artist Zarina, Beyond Belief provides an engaging alternative that prioritizes spirituality in the reading of art.View more Contemporary Jewish Museum
Pope.L in collaboration with the arts organization SPACES, has challenged the city of Cleveland to help him pull an 8 ton former ice cream truck, by hand, 34 miles from the eastside of the city to the westside over 3 days, June 7 to 9. And he needs your help to do it.View more Find Pull! On Facebook
The first American retrospective of the Canadian-born artist Jack Goldstein (1945 - 2003) brings to light his important legacy. This comprehensive exhibition frames Goldstein as a central figure of the Pictures Generation of the 1970s and 1980s and showcases his influential paintings and films, while also including installations, writings, and pioneering sound recordings. The artists of the Pictures Generation, such as Cindy Sherman, Sherrie Levine, Laurie Simmons, Barbara Kruger, David Salle and Robert Longo, explored a new stylistic vocabulary grounded in their interest in popular culture, appropriating images from books, magazines, advertisements, television, and film.View more The Jewish Museum
Blues for Smoke is an interdisciplinary exhibition that explores a wide range of contemporary art through the lens of the blues and blues aesthetics. In conjunction with Blues for Smoke, Pope.L will stage a performance and hands-on project that invites visitors to explore the definitions surrounding the blues, and ask how the blues “aesthetic” has migrated over place and time.View more Whitney Museum
In Post-war British art radical work tended towards various styles influenced by the modern art of Paris and New York such as Surrealism, abstraction and Pop Art. Alongside these parallel movements there existed another kind of art pioneered by a group of loosely associated artists later labelled The School of London. What they had in common was a firm belief that they could find new ways to create realist paintings and reinvent the representation of the human figure to make it relevant in a world traumatised by the Second World War.View more Manchester Art Gallery
For Painting Between The Lines, fourteen contemporary painters created newly commissioned paintings based on descriptions of paintings in historical and contemporary novels by authors such as Marcel Proust, Samuel Beckett, Sylvia Plath, and Milan Kundera. By examining the ways contemporary artists look at storytelling, literature and writing as expressions of individual thought, Painting Between The Lines looks at the state of contemporary painting today, presenting some of its most innovative practitioners such as Laylah Ali, Marcel Dzama, and Fred Tomaselli.View more Download PDF Williams College Museum of Art
PAINT THINGS navigates the recent direction of contemporary artists to expand painting beyond the stretcher into sculptural forms. This group exhibition focuses on the growing spatial and material freedom in painting as it merges with installation and sculpture.View more deCordova Sculpture Park and Museum
SculptureCenter, in collaboration with the Vera List Center for Art and Politics at The New School, is thrilled to continue the artist-led lecture series Subjective Histories of Sculpture. This program, initiated in 2006, furthers SculptureCenter's exploration of how contemporary artists think about sculpture, its history, legacies, and potential for innovation.
This year, Martin Kersels, Agnieszka Kurant, and Allison Smith have been invited to present their own take on art history and consider the thematic focus of thingness.View more Sculpture Center
For her first solo exhibition at The Museum of Modern Art, New York–based artist Martha Rosler presents her work Meta-Monumental Garage Sale, a large-scale version of the classic American garage sale, in which Museum visitors can browse and buy second-hand goods organized, displayed, and sold by the artist.View more MoMA
Featuring the works of Catherine Opie and Justine Kurland, America in View reveals a nation's ambitions and failings, beauty and loss, politics and personal stories through about 150 photographs spanning nearly 150 years.www.risdmuseum.org
High Line Art, presented by Friends of the High Line, is pleased to announce that Brooklyn-based artist Virginia Overton will transform an old pickup truck into a site-specific sculpture installed on the stacked parking next to the High Line at West 20th Street, on view from Thursday, September 13, 2012 to September 2013.View more High Line Art
superHUMAN Friday, June 8 –Friday, August 3, 2012 Central Utah Art Center (CUAC) 86 N Main, Ephraim, Utah 84627 Thursday, September 6–Saturday, December 22, 2012 Aljira, a Center for Contemporary Art 591 Broad Street, Newark, NJ 07102 Artists Blanka Amezkua, Edgar Arcenaux, Kevin Darmanie, Kurt Forman, Chitra Ganesh, Fay Ku, Shaun El C. Leonardo, Kerry James Marshall, Wanda Raimundi-Ortiz, Dulce Pinzón, William Pope.L, Robert Pruitt, Xaviera Simmons, Saya Woolfalk Curated by Jorge Rojas and David HawkinsView more Central Utah Art Center
The Museum of Contemporary Art presents AMANDA ROSS-HO: TEENY TINY WOMAN, on view at MOCA Pacific Design Center from June 23 through September 23, 2012. Amanda Ross-Ho is one of the leading Los Angeles artists of her generation and this new installation is her largest and most ambitious exhibition to date.View more MOCA
Jessica Stockholder's exhibition "Hollow Places Court in Ash-Tree Wood", initially realized at the Aldrich Museum in Ridgefield, CT, is traveling to the Ecole Nationale Superieur d'Architecture in Nantes, France. The exhibition will open on June 15th, 2012, and remain on view until September 2. For more information, please visit the website for the Frac des Pays de la Loire.View more Frac des Pays de la Loire
Commissioned by Chicago Loop Alliance, renowned artist Jessica Stockholder has begun saturating building façades, sidewalks, and crosswalks in bold colors in what will be the summer’s largest art installation. “Color Jam” – the third public artwork in the Art Loop series – is coming to the intersection of State & Adams on June 5. It will be on display through September, and will feature a series of public programs, taking the form of concerts, talks, happenings, and virtual interactions throughout the Loop. Walk a live stream of the installation site, or the "Jam Cam", from the link to the left.View more The "Jam Cam"
For her first solo exhibition at The Museum of Modern Art, Martha Rosler (Brooklyn, New York) will present her work Garage Sale in The Donald B. and Catherine C. Marron Atrium from November 17 to 30, 2012. Rosler held the Garage Sale’s first iteration, Monumental Garage Sale, in 1973 in the student gallery of the University of California, San Diego. She advertised this controversial work as a garage sale in local newspapers and as an art event within the local arts scene. Clothes, books, records, toys, costume jewelry, personal letters, art works, and other mementos, as well as soft-core pornographic magazines and empty welfare-food containers were displayed on racks and tables for visitors to browse and buy, after haggling with the artist over the price. Rosler’s Garage Sale implicates visitors in face-to-face transactions within a secondary, informal cash economy—exactly like garage sales held outside the museum setting. On select weekends from May 12 until summer, you can be a part of this work by donating your castoffs, no-longer-wanted objects, bric-a-brac, and odd items. Click the link to the left for more information on drop off times and locations.View more Marta Rosler's Garage Sale
"Dialogue of Hands" will be a sculpture park for children and adults, located on the elevated ground level sculpture courtyard of the iconic 1964 building, formerly known as the College of Building and Printing (recently renamed City of Glasgow College). The exhibition would be an immersive sensory environment, with an emphasis on real time audience participation and attracting families with children.View more Glasgow International
Daniel Lefcourt: Mockup Opening reception Thursday, April 19, 6-8 PM "Mockup" is a storage room, a stage set, a mausoleum, a trade show, a diagram, a game board, a studio, a retail store, a pictograph, a classroom, a museum display, an architectural model, and a sign-maker's workshop. Like composite wood -- the material from which the artworks are made -- each object is at once real and solid, and simultaneously a mere semblance or substitute.View more White Flag Projects
Curated by Matthew Lyons In her works in sculpture and installation, Virginia Overton employs readily available or repurposed building materials as well as common found imagery in reaction to the particular conditions of the exhibition space and its environs. She has developed a sculptural vocabulary that uses and reuses these materials and images. While the work often incorporates large-scale elements, Overton still allows for a sense of ad hoc fragility in the provisional relationships she sets up between the architecture and her materials. The heightened awareness of the weight-bearing loads and the pull of gravity underscore how the materials have been asked to perform, holding traces of past uses and process to become more than just “raw” material. Exhibition Hours: Tues–Fri, 12–6pm; Sat 11–6pm FREEView more The Kitchen
The Chatsworth House Trust and the New Art Centre, Roche Court Sculpture Park, are proud to present 'Caro at Chatsworth'. This will be the first exhibition dedicated to the work of a single artist to be held in the garden at Chatsworth and will comprise 15 sculptures by Sir Anthony Caro sited around the famous Emperor Fountain, in front of the south façade at Chatsworth. 'Caro at Chatsworth' provides a once in a lifetime chance to see the larger work of Britain's greatest living sculptor in one of Britain's most famous historic settings.View more Caro at Chatsworth
Open Windows: Keltie Ferris, Jackie Saccoccio, Billy Sullivan, and Alexi Worth Guest-curated by artist Carroll Dunham, this exhibition presents the work of four contemporary American painters: Keltie Ferris, Jackie Saccoccio, Billy Sullivan, and Alexi Worth. Representing distinct and varied approaches to painting from abstraction to realism, these artists’ works will be set in counterpoint to modernist paintings chosen by Dunham from the Addison’s permanent collection. By juxtaposing new and recent paintings by the four artists with historic works ranging in date from the 1930s to early 1960s by artists such as Franz Kline, Irene Rice Pereira, John Graham, and Reginald Marsh, to name a few, Open Windows reveals sometimes surprising affinities, influences, and contrasts among and between the twenty-first-century works and mid-twentieth-century paintings, opening windows on new possibilities and fresh ways of seeing. On view through April 8, 2012.View more The Addison Gallery, Phillips Academy
Organized in conjunction with the exhibition Print/Out, Printin’ takes as its starting point DeLuxe (2005), a tour de force portfolio of 60 works by Ellen Gallagher (American, b. 1965) that challenged traditional ideas of what a print could be. DeLuxe offers a multivalent constellation of ideas, touching on such issues as portraiture, identity, history, advertising, commodity, and the disruption, translation, and recasting of space. Proposing a kind of technical dissection and conceptual unpacking of this portfolio, Printin’ brings together work by more than 50 artists from multiple disciplines in a sweeping chronology that extends from the 17th century to the present day, to propose a free-flowing yet incisive web of associations that are reflected in DeLuxe. Encompassing prints, drawings, films, books, photographs, sculptures, videos, and comic strips, the exhibition features such artists as Vija Celmins, David Hammons, George Herriman, Robert Rauschenberg, Martha Rosler, and many others, forming a dense network of formal, technical, and conceptual connections and intersections.View more Print/Out at MoMA
Paul Winstanley is to be included in "Lifelike", a traveling exhibition curated by Siri Engberg. Is it real? Lifelike invites a close examination of artworks based on commonplace objects and situations, which are startlingly realistic, often playful, and sometimes surreal. This international group exhibition features artists variously using scale, unusual materials, and sly contextual devices to reveal the manner in which their subjects’ “authenticity” is manufactured. Avoiding the brand-name flashiness embraced by 1960s Pop and the slick urban scenes introduced at that time by the Photorealists, the artists in Lifelike investigate the quieter side of the quotidian, choosing potentially overlooked items or moments as subject matter: a paper bag, an eraser, an apple core, a waiting room, an afternoon nap. They also favor a handmade, labor-intensive practice rather than technological enhancements. The resulting works—including painting, sculpture, photography, drawing, and video—transform the ordinary into something beguiling, loaded with narrative and metaphor, and imbued with an arresting sense of humanity. Lifelike showcases works from the 1960s to the present by more than 55 artists, including Vija Celmins, Keith Edmier, Fischli and Weiss, Robert Gober, Alex Hay, Kaz Oshiro, Charles Ray, Sam Taylor-Wood, and Ai Weiwei. Catalogue forthcoming in February 2012.View more Walker Art Center
Last month, artist William Pope.L spent a day at MoMA, exploring the collections of artists’ multiples on view in Thing/Thought: Fluxus Editions, 1962–1978. While he was here, he produced the above performance video, which incorporates the Fluxkit to incredibly humorous effect. His visit concluded a series of collaborations with visiting artists—some of them original members of Fluxus—who had been invited to select objects from the two Fluxkits on display, which are similar but not identical, and determine their arrangement. Since the late 1970s, Pope.L has produced innovative performances and installations, often tackling potent topics of race and inequality. His interventionist approach frequently involves the public; he interacts with communities, taking on the role of provocateur. At MoMA, Pope.L addressed the institutional paradigms of the Museum. His unconventional arrangement of the Fluxus objects is on view until January 16, when the exhibition closes to the public.View more Watch the Video Here
Katherine Bradford, Tamara Gonzales, Joanne Greenbaum EJ Hauser, Alison Knowles, Justine Kurland, Lauren Luloff, Joyce Pensato, Amanda Ross-Ho, Niki de Saint Phalle, Michelle Tarantelli The Journal Gallery is delighted to present "Special Blend," curated by Chris Martin. Some of these artists are old friends. Some of them have never met. This show is a way for them to meet and for their work to converse. Presented as a melange, this exhibition has an earthy flavor with a clean finish. Balanced and light-bodied, it combines honey sweetness with a hint of citrus for a smooth-looking exhibition—perfect for viewing all day.View more The Journal Gallery
Over the past decade, Art21 has established itself as the preeminent chronicler of contemporary art and artists through its Peabody Award-winning biennial television series, "Art in the Twenty-First Century." The nonprofit organization has used the power of digital media to introduce millions of people of all ages to contemporary art and artists and has created a new paradigm for teaching and learning about the creative process. "Art in the Twenty-First Century" Season Six includes 13 profiles of artists from four continents gathered into four, one-hour thematic episodes: Change, Balance, History and Boundaries. Spanning the globe from Nigeria to New York City, from Beijing to Brazil, the programs reveal the artists at work and speaking in their own words as they demonstrate the power of art to alter perception, challenge convention, and change how we see the world around us.View more Art 21 Sneak Peak
VIRGINIA OVERTON: "DELUXE" Opening Saturday January 14th, 2012 For Virginia Overton, the truck is a working tool embodied with stored labor. Rather than a symbolic object of desire in the mode of the co-opted muscle car, she recognizes the truck as a worker. Like most of her tools and materials, the truck functions as an agent for labor production.View more The Power Station
Catherine Opie is featured in the first major museum exhibition that showcases themes of gender and sexuality in American portraiture--HIDE/SEEK: Difference and Desire in American Portraiture. Initially organized by the National Portrait Gallery, Smithsonian Institution, the original presentation was co-curated by David C. Ward amd Jonathan D. Katz. The Brooklyn Museum presentation, coordinated by Tricia Laughlin Bloom, charts the underdocumented role that sexual identity has played in the making of modern art, and highlights the contributions of gay and lesbian artists to American art. Tracing the coded narrative of sexual desire in art produced from the early modern period through the present, HIDE/SEEK displays responses to the Stonewall riots of 1969, the AIDS epidemic and post-modern themes of identity.View more Brooklyn Museum
The Kunsthalle Dusseldorf will present the first institutional solo exhibition outside the United States by Chris Martin. The exhibition, curated by Elodie Evers and Gregor Jansen, will focus upon the early and middle period of Martin’s oeuvre. The “Black Paintings”, for example, which create the illusion of three-dimensional space with a few lines, belong to the older works. Martin’s engagement with painters such as Malevich and Mondrian, is clearly visible here. In parallel to these large-format paintings, which were produced as part of his work as an art therapist, Martin also worked on a number of small, colorful canvases. Martin's first comprehensive exhibition catalogue, featuring numerous color illustrations, essays by Gregor Jansen, Alexander Koch, Bob Nickas, Lars Bang Larsen, and a conversation with Chris Martin and Elodie Evers, will be published by Verlag der Buchhandlung Walther König.View more Kunsthalle Dusseldorf
Performance artist and sculptor William Pope.L will present a performance and video installation entitled Blink at Prospect.2 New Orleans, the second edition of the international contemporary art biennial. For the work, the artist asked New Orleans residents to donate photos of themselves in response to the questions: "When you dream of New Orleans, what do you dream of? When you wake up in the morning, what do you see?" These donated images will be part of a video installation mounted on a truck – a modern, traveling version of a “magic lantern” projection – that will traverse the city of New Orleans from sundown on October 22, 2011 through sunrise the following day. The video, intended to be a collective “memory bank” of the residents of New Orleans, will be stationed at Xavier University's Art Village following the performance for the duration of the biennial.View more Prospect.2 New Orleans
Mitchell-Innes & Nash invites you to visit our booth at Pavilion of Art and Design, London. This fair focusing on the best of 20th-century art and design will take place in Berkeley Square, October 12-16. The gallery will present a selection of Roy Lichtenstein collages from the Interiors series.View more Pavilion of Art and Design London
Norbert Schwontkowski is featured in the CCA Wattis Institute's Painting Between the Lines, which continues the Institute's investigation into the relationship between literature and art. For this show, the CCA Wattis Institute has commissioned fourteen artists to create paintings based on descriptions of paintings in historical and contemporary novels. Examining the state of contemporary painting, Painting Between the Lines attest to the vitality of the medium. Though literary sources have been a common source of painting's subject matter historically, more recently, painting has looked to history, society, politics and itself for inspiration. Schwontkowski's painting responds to Oscar Wilde's The Picture of Dorian Gray.View more CCA Wattis Institute
Martha Rosler is featured in CCA Wattis Institute's More American Photographs--the exhibition will reexamine the well-known photography program of the Farm Security Administration, 1935-44, which included artists such as Walker Evans, Ben Shahn, Dorothea Lange and Marion Post Wolcott. For More American Photographs, twelve contemporary photographers will be commissioned to travel the United States, documenting its land and people. More American Photographs aims to add to the FSA's project through the lens of the twenty-first century, which highlights, amidst natural disasters, the collapse of the housing boom, and a general lack of economic mobility, the distinct effects on different communities.View more Martha Rosler in More American Photographs at CCA Wattis Institute
Launch 6-8 pm, September 16, 2011 "CHILD" is a new major three screen video commission and film-set installation in the main gallery of Eastside Projects, Birmingham UK. The work seeks to create an atmosphere of melodrama, strangeness and oddness informed by the artist's background in theatre and performance art. The exhibition draws upon the existing context of the gallery and its surroundings combining with the cinematic references. "CHILD" is about a small troubled family coping with the long absence and return of the father. Pope.L continues to construct surprising and unique work around the dispersion and coalescing of matter, values and concepts of what it means to be aliveView more www.eastsideprojects.org
Amanda Ross-Ho will participate in an exhibition titled Two Schools of Cool at Orange County Museum of Art. OCMA’s history is rooted in Los Angeles art and artists of the 1960s and 1970s. Two Schools of Cool reexamines a group of these artists, pairing elder statesmen of cool with artists from a new generation that mostly emerged in Los Angeles beginning in 2000. The exhibition provides the two generations with space to explore, experiment, and provoke through collaborative projects. The collaborating artist teams are: John Baldessari and Shana Lutker, Llyn Foulkes and Stanya Kahn, George Herms and Sarah Cain, Allen Ruppersberg and Amanda Ross-Ho, and Robert Williams and Ed Moses. The exhibition will include select public programs during the run of the exhibition, including artist talks, performances and workshops.View more Orange County Museum
State of Mind: New California Art Circa 1970, co-organized by Orange County Museum of Art (OCMA) and UC Berkeley Art Museum and Pacific Film Archive (BAM/PFA), is the most comprehensive exhibition to date to focus on Conceptual art and related new genres in both Northern and Southern California during this pivotal period in contemporary art. Featuring more than 150 works of art, the exhibition includes installations, photographs, works on paper, videos and films, artists’ books, extensive performance documentation, and other ephemera. This includes newly discovered work as well as materials culled from archives that have rarely been viewed. State of Mind: New California Art circa 1970 is supported by a grant from the Getty Foundation as part of the unprecedented collaborative initiative Pacific Standard Time: Art in L.A. 1945–1980.View more Orange County Museum
Chris Johanson will be featured in a solo exhibition at the Malmö Konsthall in Sweden. Alright Alright consists of new drawings, paintings and a large scale pyramid-shaped installation all made specifically for Malmö Konsthall. The installation includes eight sound pieces made by Johanson’s band IS. Chris Johanson (born 1968) is a self-taught product of San Francisco’s skateboard and graffiti culture. In his playful and humorous works he comments on what it is like to be human and live in today’s society. He works in widely varying media such as painting, film, installation and music. Johanson uses bright colors with a cartoon-like style. He is an acute observer, who in a simple and direct way conveys his observations to us. He still regards himself as somewhat of an outsider in the art world, and therefore does not feel bound by any pre-existing limitations. He enjoys exceeding boundaries – the paint spills outside his contour lines and the speech balloons are too small to contain his text.View more Malmö Konsthall
JACK TWORKOV: The Accident of Choice, the artist at Black Mountain College is a historic exhibition of important works by Tworkov, who taught painting at Black Mountain College during the summer of 1952. On view will be paintings and drawings by Tworkov ranging from 1948-52 including works from one of the artist's most noted series, House of the Sun that began at Black Mountain College. Also on exhibit will be letters, photographs, and ephemera from students and fellow artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stephan Wolpe; photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952. A fully illustrated catalogue will accompany the exhibition including an essay by the exhibition curator, Jason Andrew; a never-before printed interview with Jack Tworkov conducted by the historian Irving Sandler in 1957; and a re-print of the article Tworkov Paints A Picture written by Fairfield Porter and published in Art News in 1953. The exhibition is curated by Jason Andrew.View more Black Mountain College
In her solo project Hollow places court in Ash-Tree Wood, Jessica Stockholder has made several works from the wood of a 125-year-old ash tree that formerly grew in the Aldrich’s sculpture garden. The exhibition includes several discrete sculptural works within a site-responsive installation. The major elements in the exhibition are two large freestanding sculptures that resemble folding screens. Fabricated from boards cut from the wood of the tree, they were conceived by Stockholder as static armatures that she will activate with various types of paint, from auto lacquer to acrylic, visually suggesting walls (or a gallery) filled with pictures. The forms represented reference eyes (among other things), mirroring the viewer’s gaze and suggesting both the accumulated experience of the tree and the fleeting experience of the viewer.View more Aldrich Contemporary Art Museum
IAIN BAXTER & Robert Heinecken David Lieske Paul McCarthy Otto Piene William Pope.L Dieter Roth Ed Ruscha Jennifer West Curated by Jenny Gheith and John McKinnon Taking inspiration from Dieter Roth's now legendary exhibition "Staple Cheese (A Race)", "Another Kind of Vapor" presents artists who have experimented with non-traditional materials. Some sculpt, mold, and print with these substances, others conserve marks and stains. Allowed to decay, decompose, or remain in stasis, these objects endure as symbols of impermanence, waste, memory, and time.View more White Flag Projects
Chris Johanson will participate in the second edition of Art Basel's Art Parcours, a series of events and performances selected by Jens Hoffmann, Director of the CCA Wattis Institute, San Francisco. Johanson will perform with his band 'Sun Foot' atop his site-specific artwork, which takes the form of a stage built on a cargo barge docked on the bank of the Rhine. The event includes a projection by Johanna Jackson & DJ set by Christopher Garrett. Art Parcours is open to the public and free of charge.View more Art 42 Basel
Mitchell-Innes & Nash will participate in Art|42|Basel, Booth E9. The gallery will exhibit a selection of works by 20th-century masters. Highlights include sculpture and an early wood relief by Jean Arp; photographs by Constantin Brancusi; a collection of small works by Alberto Burri; a standing mobile by Alexander Calder; etchings by Lucian Freud; important works on paper and a painting by Alberto Giacometti; works by Leon Kossoff and Anthony Caro; a large-scale sculpture by Roy Lichtenstein; and 1960s paintings by Kenneth Noland.View more Art|42|Basel
Mitchell-Innes & Nash is pleased to announce an installation of sculptures by Sir Anthony Caro on The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden opening April 26. This selection of works spans the artist’s career to date and will highlight his principle contributions to sculpture: engagement with form in space, dialogue between sculpture and architecture, and the creation of abstract analogies for the human figure and landscape. The exhibition will be on view in the Museum’s dramatic, nearly 8,000-square-foot open-air space offering unparalleled views of Central Park and the New York City skyline. Anthony Caro on the Roof will be the 14th consecutive single-artist installation on the Cantor Roof Garden.View more The Metropolitan Museum of Art, New York
Amanda Ross-Ho will be included in the exhibition Not the Way You Remembered at the Queens Museum of Art from April 10 - August 14. As museums have mounted more exhibitions from their permanent collections, revisiting their archives and breathing new life into years’ worth of holdings, this generation’s artists are also looking back-revisiting materiality, composing and recombining nontraditional materials, perhaps out of necessity, or as a comment on a collective loss of intimacy through lives lived online. NOT THE WAY YOU REMEMBERED explores how collecting and displaying personal, physical objects creates and recreates memories and associations, both individual and collective. Participating artists are Taylor Baldwin, Clifford Borress, Barb Choit, Brendan Fowler, Ted Gahl, Rashawn Griffin, Faten Kanaan, Zak Kitnick, Jason Lazarus, Lauren Luloff, Dave Murray, Amanda Ross-Ho, Jean Shin, Hayley Silverman, Agathe Snow, and Bryan Zanisnik. The exhibition is curated by Jamillah James, Queens Museum of Art Van Lier Fund Fellow.View more Queens Museum of Art
Martha Rosler will be included in the Singapore Biennale 2011: Open House. Featuring 60 artists from 30 countries, the third Singapore Biennale will be open to the public from 13 March to 15 May 2011. Over half of the artists are creating new commissions or premiering new works. 'Open House' is presented across four exhibition venues, each with their own particular character, that draw upon emblematic spaces in Singapore: Housing Development Board flats (Singapore Art Museum and 8Q), shopping centres and night markets (National Museum of Singapore), and international air and sea ports (Old Kallang Airport). In addition to a community garden project at the Old Kallang Airport, Rosler has been invited to give the Keynote Lecture on March 12.View more Singapore Biennale
Flux This, with William Pope.L and Special Guests Museum of Modern Art, New York Instructions, proposals, notions, a phone call, and a trampoline. A day and a half of Fluxus-inspired-and-disgusted workshops, performances, video, and interventions, concluding with an evening of short things and even shorter things. Everyone is invited! 12:00–6:30 p.m. in the Cullman Education Building mezzanine and classrooms (admission is free) 6:30 p.m. in the Celeste Bartos Theater (T3) (tickets required) Open rehearsals for this event take place on March 24. In conjunction with the exhibitions Instruction Lab and Contemporary Art from the Collection Tickets for the 6:30 p.m. theater event ($10; $8 members; $5 students, seniors, staff of other museums) can be purchased online or at the lobby information desk and the film desk.View more Museum of Modern Art, New York
Laumeier Sculpture Park, St. Louis presents an exhibition of recent sculpture by Jessica Stockholder. The exhibition, which opens February 12, features eleven sculptures full of quirks and unexpected materials. Stockholder’s work engages elements of painting, sculpture and architecture with objects more commonly found in backyards and living rooms. Her playful nature is reflected in the name of the exhibition, Grab grassy this moment your I’s. The title offers an abstract grammatical puzzle emblematic of her work that strives to change how we see common objects and materials. The exhibition includes Stockholder’s work, Flooded Chambers Maid, 2009-10, installed in Laumeier’s Children’s Sculpture Garden in October 2010. The long-term loan was commissioned by the Madison Square Park Conservancy, was previously exhibited in Manhattan’s Madison Square Park. The work will provide a platform for future performances, readings and children’s programs.View more Laumeier Sculpture Park, St. Louis
During the course of this evolving on-site work, Amanda Ross-Ho will invite viewers to become participants in an ongoing examination of the boundaries of the white cube, the direct and indirect products of creative expression, and the connectivity of the visual world. Her site-specific installation will transform the Vaulted Gallery into an active worksite dedicated to producing three basic elements: blank stretched canvases, simple hand-built ceramic vessels, and handmade paper. Ross-Ho collapses the life cycle of the creative process through the performative act of embedding the gallery with the energy of production. The three manifestations of the ‘empty’ space produced—canvas, vessel, page—will create an environment that both formalizes the ability for massive potential and serves as witness to mass activity.View more Visual Arts Center, University of Texas at Austin
New Sparkle for an Abstract Ensemble By HOLLAND COTTER SARATOGA SPRINGS, N.Y. — In the echo chamber that is the New York art world, where one voice can give the illusion of being many, the crusading cry of late is “We need more painting!” As if there were a dearth. Is there? Walk through any of the city’s art museums, and what do see? Paintings everywhere. Visit contemporary galleries all over town, and what do you find? They’re painting packed. But still the cry goes on.View more The New York Times
William Pope.L at FIAC, Paris, October 21 - 24 Booth A40 – Mitchell-Innes & Nash New York, September, 2010: Mitchell-Innes & Nash will present a solo booth featuring William Pope.L at FIAC, Paris from October 21 through 24. The works on view, dating from the 1990s to the present, will include sculpture, photographs, painting and drawing, as well as a performance in the FIAC booth.View more FIAC
The Jewel Thief will combine works by over fifty contemporary artists with eccentric arrangements to explore new ways to think about and experience abstract art. Through experiments with scale, color, material, and space, the exhibition will create an immersive environment that raises questions about art and display and enables fresh takes on the specific works.View more The Jewel Thief
An extraordinary new exhibition organized by The Morgan Library & Museum, opening September 24, presents an important series of large-scale, black-and-white works as a group for the first time and examines Lichtenstein's less known exploration of the medium of drawing. Created during the early and mid-1960s, the fifty-five drawings on view offer a revealing window into the development of Lichtenstein's art, as he began for the first time to appropriate commercial illustrations and comic strips as subject matter and experimented stylistically with simulating commercial techniques of reproduction—the famous Benday dots. The work represents an essential and original contribution to Pop Art as well as to the history of drawing.View more The Morgan
Mitchell-Innes & Nash is pleased to announce Martin Kersels in Under Destruction October 15, 2010 – January 23, 2011 Destruction in art - 50 years after Tinguely's Homage to New York Group show in collaboration with the Swiss Institute, New York Co-curated by Chris Sharp and Gianni Jetzer Nina Beier + Marie Lund, Monica Bonvicini, Pavel Büchler, Nina Canell, Jimmie Durham, Alex Hubbard, Alexander Gutke, Martin Kersels, Michael Landy, Liz Larner, Christian Marclay, Kris Martin, Ariel Orozco, Michael Sailstorfer, Arcangelo Sassolino, Jonathan Schipper, Ariel Schlesinger, Roman Signer, Johannes Vogl "Under Destruction" is a group exhibition, featuring some twenty internationally known contemporary artists, that examines the use and role of destruction in contemporary art.View more Museum Tinguely
A CONVERSATION ON ROY LICHTENSTEIN MITCHELL-INNES & NASH CHELSEA SATURDAY OCTOBER 16, 4 PM Mitchell-Innes & Nash will hold a round-table discussion on the occasion of the exhibition Roy Lichtenstein Reflected at the Chelsea gallery on Saturday, October 16, at 4pm. Participants will include Dorothy Lichtenstein, David Salle, and Graham Bader.View more
Brooklyn Museum Seductive Subversion: Women Pop Artists, 1958–1968 October 15, 2010–January 9, 2011 Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This large-scale exhibition examines the impact of women artists on the traditionally male-dominated field of Pop art.View more Brooklyn Museum
Mitchell-Innes & Nash is pleased to announce William Pope.L's "Eating the Wall Street Journal" in the exhibition "The Last Newspaper" at the New Museum. William Pope.L will supervise a performative restaging of this seminal work enlisting a team of collaborators to occasionally wander throughout the museum eating the financial daily.View more The Last Newspaper
MoMA's New Photography 2010 presents four artists—Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross-Ho—whose photographs, taken in the real world and made in the studio, mine the inexhaustible reservoir of images found in print media, television, and cinema.View more
Mitchell-Innes & Nash is pleased to announce Christopher Miner in the Portland Institute for Contemporary Art's annual Time-Based Art Festival. TBA will feature Miner's video "The Safest Place" which charts a lone man rotating endlessly, floating in an undefined space ship-like interior. As he spins, the figure clasps his knees in perpetual fetal-positioned prayer. Lost in a space of contemplation, he becomes a kind of everyman who quietly reaches out to the great beyond. The music, recorded by Miner, is a reinvented southern spiritual whose song becomes incantation: No harm have I done on my knees When you see me on my knees Come here, Jesus, if you please. The searcher takes comfort in this act of petition, though his waiting, like the silence of the answer, is infinite. Opening reception Thursday September 9, 8-10pm THE WORKS at Washington High School 531 SE 14th Ave. Portland OR 97214 Gallery Hours Sept. 10 - Sept. 19 . Every Day, 12 - 6:30 pm Sept. 23 - Oct 17 . Thurs - Fri . 12 - 6:30 pm; Sat - Sun . 12 - 4 pmView more TBA Festival
August 5, 2010 Varieties of Abstraction By ROBERTA SMITH Happy birthday, abstract painting! One of the prides and joys of Western modernism is in the vicinity of its first centennial. It's hard to be much more exact, since its invention was a scattered effort extending over years if not decades.View more Link to Article
JACK TWORKOV Against Extremes: Five Decades of Painting a major retrospective of the artist's most celebrated work July 9-August 22, 2010 opening reception: Friday, July 9, 8-10PM PROVINCETOWN ART ASSOCIATION AND MUSEUM Provincetown, MA MUSEUM HOURS : 11 am to 8 pm, Monday through Thursday 11 am to 10 pm, Friday 11 am to 5 pm, Saturday and Sunday PAAM is located on the corners of Commercial and Bangs Streets in Provincetown's East End. Take Route 6 to the Provincetown Center exit. Turn left at light onto Conwell Street, then left at stop sign onto Bradford Street, 1/2 mile on right is Bang Street, right one block to Commercial. Parking is available in many private and municipal lots in Provincetown, and depending on the season, parking may be available on Commercial Street.View more PAAM
An endurance performance taking place Saturday afternoons throughout Pope.L's exhibition, landscape + object + animal.
Saturday May 8 5:15pm 6:30pm
Sunday May 9 2pm 3:15pm 4:30pm
Monday May 10 2pm 3:15pm 4:30pm
Saturday May 15 2pm 3:15pm 4:30pm
Saturday May 22 3:15pm 4:30pm
Saturday May 29 2pm 3:15pm 4:30pm
Saturday June 5 2pm 3:15pm 4:30pm
Saturday June 12 2pm 3:15pm 4:30pm
Saturday June 19 2pm 3:15pm 4:30pm
Mitchell-Innes & Nash is pleased to announce William Pope.L's participation in SCULPTURECENTER AT THE NEW SCHOOL Expanded, Exploded, Collapsed? Monday, April 19, 2010 – 6:30 to 8:30 p.m. The New School, Theresa Lang Community and Student Center 55 West 13th Street, 2nd floor Admission: $8, free for all students as well as SculptureCenter members and New School faculty, staff, and alumni with ID.View more Vera List Center for Arts and Politics
ADAA Collectors' Forum: A Committed Vision Collecting in the New Economy Saturday, March 6, 11:00 am The Park Avenue Armory The panel will focus on a variety of issues related to collecting art in different economic climates, and the vision and dedication that marks the best art collectors and collections.View more ADAA Collector's Forum
Mitchell-Innes & Nash is pleased to announce that Martin Kersels is included in the 2010 Whitney Biennial. He has created a sculptural installation in the Lobby Gallery that also functions as a stage for curatorial programs involving artists, writers, musicians, choreographers, and DJs. Kersels will perform Friday April 2 at 7:30 pm as part of the Whitney's My Turn program in conjunction with the Biennial.View more The Whitney Biennial
Mitchell-Innes & Nash is pleased to announce Amanda Ross-Ho in Production Site: The Artist's Studio Inside-Out February 6 - May 30, 2010 at the Museum of Contemporary Art, Chicago. The exhibition reflects and addresses the pivotal role of the studio in artists' practice while alluding to its enduring status in the popular imagination. The works that comprise Production Site include multi-channel video projections, photographic light-boxes and installations, and life-sized fabrications of artists' studios -- real and imagined -- that either extol the virtues of the studio or problematize the preconceived and often highly romanticized notions associated with it. The exhibition provides the viewer with an unprecedented and illuminating look at how some of the most compelling artists of our time have demystified, remystified, and reconsidered this site within the physical and conjectured space of the work of art.View more Museum of Contemporary Art Chicago
BOOK READING THE EXTREME OF THE MIDDLE WRITINGS OF JACK TWORKOV Friday, February 5th at 5pm Mitchell-Innes & Nash Chelsea 534 West 26th Street, New York, NY 10001View more
"Project Series 40: Amanda Ross-Ho The Cheshire Cat Principle" will be on view January 23 through April 11, 2010, at the Pomona College Museum of Art in Claremont, CA. An opening reception will be held at the Museum on Saturday, January 23 from 4-6 p.m. Amanda Ross-Ho will present a public lecture about her work on Tuesday, March 2 at 10:30 a.m. in the Museum.View more Pomona College Museum of Art
Mitchell-Innes & Nash is pleased to announce William Pope.L in the DeCordova Biennial. The 2010 DeCordova Biennial exhibition is the newest iteration in DeCordova's long history of showcasing contemporary art in New England. The museum is located at 51 Sandy Pond Rd, Lincoln, MA and is open Tuesday-Sunday from 10-5 and select holidays. Please call 781 259-8355 for more information.View more DeCordova
"The Black Factory does not make blackness, it performs blackness. Sometimes the performance is a conversation, sometimes a provocation, sometimes its a commodity, sometimes its losing your commodities and sleeping at the shelter, sometimes its working in the soup kitchen of that shelter, sometimes the performance of blackness is simply an idea bearing on some distant resemblance from which I will always say: From here I dare to begin."
- William Pope.L
Mitchell-Innes & Nash is pleased to announce its participation in FIAC 2009 at the Grand Palais Booth No. A36. On view: Pierre Alechinsky Jean Arp Anthony Caro Allan D'Arcangelo Jean Dubuffet Axel Geis Alberto Giacometti Albert Gleizes Jack Goldstein Julio Gonzalez Leon Kossoff Justine Kurland Roy Lichtenstein Chris Martin Henri Matisse Henry Moore Enoc Perez Odilon Redon Martha Rosler Mark Rothko Georges Rouault Egon Schiele Norbert Schwontowski George Segal Nicolas de Stael Jessica Stockholder Pavel Tchelitchew Jack Tworkov Andy Warhol Paul WinstanleyView more FIAC
"Art should be a trailer for the future"
- Jack Goldstein
Mitchell-Innes & Nash is pleased to announce Jack Goldstein at MMK Frankfurt. The exhibition is the first one in a new series, which focuses on comprehensive retrospectives devoted to selected artists of the MMK's collection.View more MMK Frankfurt
September 23 – October 24, 2009 Opening: Wednesday, September 23, 6 – 8 pm Hauser & Wirth New York 32 East 69th Street New York NY 10021View more
Mitchell-Innes & Nash is pleased to announce Amanda Ross-Ho's participation in Wallworks at the Yerba Buena Center for the Arts in San Francisco. Wallworks is the highly anticipated curatorial debut of Betti-Sue Hertz, YBCA's newly appointed Director of Visual Arts.View more Yerba Buena Center for the Arts
ARTFORUM Summer 2009 Leon Kossoff MITCHELL-INNES & NASH Leon Kossoff's painterliness invites us to scan the image of subconscious meaning—to play on Anton Ehrernzweig's idea of the way we approach what he calls "gestalt-free painting"—and the meaning we find involves what Freud called "primary process thinking," and traces of what D.W. Winnicott, elaborating and deepening Freud's idea, called "primary creativity," by which he meant the spontaneity innate to us all yet often stifled or channeled into trivial pursuits by society.View more
Mitchell-Innes & Nash is pleased to announce Chris Martin and Amanda Ross-Ho in Abstract America at the Saatchi Gallery, May 29, 2009 - January 17, 2010. Thirty-five artists are in the exhibition, representing an exciting new generation of American painters and sculptors.View more The Saatchi Gallery
MAD. SQ. ART 2009: JESSICA STOCKHOLDER FLOODED CHAMBERS MAID MAY 1 - AUGUST 15, 2009 The Madison Square Park Conservancy continues its 2009 season of Mad. Sq. Art with Flooded Chambers Maid, a site-specific multimedia installation on and around Madison Square Park's Oval Lawn by genre-bending sculptor, painter and installation artist Jessica Stockholder.View more MAD. SQ. ART.
This exhibition of 65 works on paper and board examines Roy Lichtenstein's creative process and artistic evolution during the 1980s and 90s. Drawings, collages, and sketchbooks are on view, offering some of the best clues to Lichtenstein's thoughts and working methods. Almost every drawing served as a study for a future painting, print, or sculpture.View more Katonah Museum
Mitchell-Innes & Nash is pleased to announce Chris Martin in The Ballad that Becomes an Anthem, curated by Stephen Westfall at ACME Los Angeles. The exhibition will run from through April 19, 2009 and features works by Mary Heilmann, Chris Martin, Rebecca Morris, Amy Sillman, Mary Weatherford, and Stephen Westfall.View more ACME
Works by Enoc Perez will be featured in a group show with works by Alexander Apostol, Daniel Arsham, Gordon, Cheung, David Claerbout, Angela Dufresne, Mark Dziewulski, Christine Erhard, Cyprien Gaillard, Terence Gower, Angelina Gualdoni, Natasha Kissell, Luisa Lambri, Dorit Margreiter, Russell Nachman, and Lucy Williams. The exhibition runs January 21 - March 22nd.View more Mills College Art Museum
Mitchell-Innes is pleased to announce a survey of photographic and video works by Martha Rosler at Centro José Guerrero in Granada. The exhibition is curated by Juan Vicente Aliaga.Centro José Guerrero
Mitchell-Innes & Nash is pleased to announce the participation of William Pope.L in the exhibition, "30 Americans," at the Rubell Family Collection. December 3, 2008 – November 28, 2009 Rubell Family Collection 95 NW 29th Street Miami, Florida 33127 Phone: (305) 573-6090
Open to the public: December 3, 2008 – May 30, 2009 Wednesday through Saturday 10 AM – 6 PM Art Basel 2008 Hours: December 3, 9 AM – 6 PM December 4, 8 AM – 6 PM December 5 – 9, 9 AM – 6 PM30 Americans
Mitchell-Innes & Nash is pleased to announce the participation of Amanda Ross-Ho in the exhibition co-curated by Shamim M. Momin (Co-Curator of the 2004 and 2008 Whitney Biennials) and New York-based artist and curator Nate Lowman at the Station, Miami. The Station's artworks include commissioned, site-specific installations, new works, and borrowed works, set within the massive 12,000 square foot space. The Station 2008 will take place from December 3rd through 7th at Midblock East in the Midtown Miami District, 3250 NE 1st Avenue/Midtown Boulevard, Miami, FL 33137. The exhibition will be open during the hours of 12pm – 9pm. There will be a musical performance featuring Lansing-Dreiden and New Humans on the evening of Thursday, December 4th, from 9pm – 1am.The Station
Martha Rosler has been awarded the prestigious 2008 USA Visual Artist Fellowship Grant.USA Fellows
2008 California Biennial Newport Beach and Orange Lounge, South Coast Plaza
The 2008 California Biennial continues the Orange County Museum of Art's four-decade long history of presenting new developments in California art. This year's biennial is guest-curated by Lauri Firstenberg, founder and director/curator of LAXART in Los Angeles.View more 2008 California Biennial
Mitchell-Innes & Nash is pleased to announce the public commission by Sir Anthony Caro at the Eglise Saint-Jean de Baptiste of Bourbourg and a major retrospective of the Artist's work in France presented simultaneously at the museums of Calais, Dunkirk and Gravelines. Eglise Saint-Jean Baptiste de Bourbourg Chapel of Light/ Chœur de lumièreView more Anthony Caro
Organized by guest curator Lydia Yee, Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for artists and photographers from the late 1950s to the present. This far ranging exhibition, one of the largest to consider the subject, includes street photography; documentation of performance, events, and artworks presented in the street; works using material from the street; and examples of street culture by more than thirty artists.View more Bronx Museum - Street Art Street Life
Martha Rosler Service: A Trilogy on Colonization Martha Rosler Library Launch of Two Martha Rosler books, with Printed Matter and e-flux Saturday, September 13, 2008, 5:00 – 7:00 PM Printed Matter is pleased to announce the launch of two Martha Rosler publications: Printed Matter's facsimile edition of Service: A Trilogy on Colonization and e-flux's Martha Rosler Library.View more Printed Matter
A commission of two monumental-sized paintings of Casa Malaparte, a famous architectural landmark on Punta Massullo, on the eastern side of the Isle of Capri. The paintings were commissioned by the Collezione Maramotti, a public collection in Reggio Emilia, Italy. The paintings will be on view as of June 6 in a dedicated room at the collection. A small publication will accompany the exhibition.Collezione Maramotti
Ambition d'art Alighiero Boetti, Daniel Buren, Jordi Colomer, Tony Cragg, Luciano Fabro, Yona Friedman, Anish Kapoor, On Kawara, Martha Rosler, Jeff Wall, Lawrence Weiner Exhibition from May 16th to September 21st 2008 Curator: Jean Louis MaubantView more Institut d'art contemporain in Villeurbanne
Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 May 04, 2008 - September 21, 2008
In Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976, the first major U.S. exhibition in 20 years to rethink Abstract Expressionism and the movements that followed, over fifty key works by 32 artists – among them Jackson Pollock, Willem de Kooning, Helen Frankenthaler, Mark Rothko – will be viewed from the perspectives of influential, rival art critics Clement Greenberg and Harold Rosenberg, the artists, and popular culture.View more Jewish Museum
Martha Rosler Library April 12 - June 14, 2008 Site Liverpool John Moores University School of Art and Design 68 Hope Street Liverpool L19EB Opening hours: Mon - Sat 11-6 pm Site is pleased to announce the opening of Martha Rosler Library on Friday, April 11, 2008 at 6pm.View more Site Liverpool John Moores University
New York Underground Film Festival Shorts: Christopher Miner "chats" with galpal Amy Grant.IFC Center
Paul Winstanley Paintings 1989–2007 Exhibition dates: 26 April – 31 May 2008 Opening reception: Friday 25 April 6pm ARTSPACE is proud to present the first survey exhibition of the work of British artist Paul Winstanley. The exhibition includes a group of paintings from a recent Red Mansion Foundation exchange programme in China and a selection of paintings from 1989-2007.View more ArtSpace
Dargerism: Contemporary Artists and Henry Darger Featuring Amy Cutler, Henry Darger, Jefferson Friedman, Anthony Goicolea, Trenton Doyle Hancock, Yun-Fei Ji, Justine Kurland, Justin Lieberman, Robyn O'Neil, Grayson Perry, Paula Rego, and Michael St. John Brooke Davis Anderson, curatorView more American Folk Art Museum
ACME Fine Art is delighted to announce the Spring exhibition of important oil paintings by one of New York School's most distinguished practitioners, Jack Tworkov. The exhibition will feature paintings from the final 15 years of Tworkov's distinguished career. It will open with a reception from 6 to 8 on the evening of Friday, 28 March, and will be on view through Saturday, 3 May 2008.View more ACME Fine Art
WALTHAM, Mass. – This winter, the Rose Art Museum at Brandeis will present more than 50 artists representing the extraordinary diversity of the Rose collection and emerging talents – several of whom will be exhibiting for the first time in a U.S. museum. In the Lois Foster Wing, critic/curator Dominique Nahas and artist Margaret Evangeline will curate "Empires and Environments," an exhibition featuring several works from the Rose collection exhibited with new work from emerging artists.View more The Rose Art Museum at Brandeis University
Collage: The Unmonunmental Picture and Art & Social Life; The Case of Video Art Screening "Unmonumental" expands on January 16, 2008 with the opening of "Collage: The Unmonumental Picture." Recent collages by eleven artists, including works made expressly for the exhibition, will be installed on the gallery walls surrounding the sculptures already on view.View more The New Museum
Zurich, 15 February, following the Alberto Burri exhibition at Mitchell-Innes & Nash, de Pury & Luxembourg is proud to present the first solo show in Switzerland of Italian post-war artist Alberto Burri (1915-1995). For the first time in 26 years, De Pury & Luxembourg display the full cycle of 12 monumental Cellotex paintings that Alberto Burri was commissioned to produce in 1982 for an exhibition at the Palm Springs Desert Museum, California.View more De Pury & Luxembourg
Annely Juda Fine Art will be presenting the first exhibition of a series of new galvanized sculptures by Sir Anthony Caro. The exhibition will take place over two floors at Annely Juda Fine Art including the recently expanded third floor gallery space. It has been organized in collaboration with Mitchell-Innes & Nash's exhibition in the Chelsea gallery, from October 19 to November 21, 2007.View more Annely Juda Fine Art
At this year's Art Basel our booth will be divided into two groups: major modern masters of the Twentieth Century and a comprehensive selection from our contemporary program.View more
The Art Show Phenomenon: How the Art Market's Hottest Trend is Shaping the Cultural Landscape PANELISTS Andrew Fabricant Richard Gray Gallery, Chicago and New York Carla Chammas CRG Gallery, New York Lawrence Luhring Luhring Augustine, New York Lucy Mitchell-Innes Mitchell-Innes & Nash, New York MODERATOR Allan Schwatrzman, art advisor and writer LOCATION Mitchell-Innes & Nash, Chelsea 534 West 26th Street Sponsorship provided by Lehman BrothersView more Art Dealers Association of America
In the current climate of increasingly sophisticated imaging technologies, hyper-mediation and virtual realities, artists are reconsidering notions of the picture as a vital interface with a changing world. In Vancouver and elsewhere, recent years have been marked by a vigorous, renewed interest in painting. In Paint, guest curator Neil Campbell, a leading Vancouver artist and an influential teacher of painting at local institutions, brings together an exhibition that investigates emerging practices and their precedents.View more www.VanArtGallery.com
ARTISTS Tjorg Douglas Beer Anthony Caro Natalie Frank David Godbold Chris Martin Enoc Perez Martha Rosler Jessica Stockholder Veron Urdarianu Paul WinstanleyView more
ARTISTS Tjorg Douglas Beer Natalie Frank Jack Goldstein Henning Kles Justine Kurland Alexander Liberman Roy Lichtenstein Chris Miner Enoc Perez Martha Rosler Norbert Schwontkowski Jessica Stockholder Veron Urdarianu Paul WinstanleyView more
EXHIBITION PRESS RELEASE JESSICA STOCKHOLDER: OF STANDING FLOAT ROOTS IN THIN AIR February 2, 2006 through May 1, 2006 P.S.1 Opening Day Celebration: February 26, 2006 from noon to 6 (Long Island City, New York – January 20, 2006) P.S.1 Contemporary Art Center is pleased to present a new solo project by Jessica Stockholder, her second presentation at the museum.View more PS1.org
MITCHELL-INNES & NASH: TWO NEW YORK GALLERIES
Lichtenstein: Surrealism is the first exhibition in Mitchell-Innes & Nash Chelsea, a 3,500 square-foot space in the heart of Chelsea's gallery district.View more