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Los Angeles–based artist Amanda Ross-Ho’s first outdoor public art project, THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, explores how photography is similar to the act of seeing. Updating Joseph Beuys’s famous declaration “Everyone is an artist,” Ross-Ho suggests more specifically that today everyone is a photographer, as the ubiquity and speed of digital photography shapes the way we view and experience the world.

The splendid rooms of the Museo Correr will be the setting for the first major Italian retrospective dedicated to one of the greatest of living sculptors: Sir Anthony Caro (New Malden, Surrey, 1924).

Jay DeFeo: A Retrospective is organized by Dana Miller, Curator of the Permanent Collection.  This retrospective is the definitive exhibition to date of the work of Jay DeFeo (1929–89).

FOTODOK and Het Nutshuis present a double exhibition with work by Lucas Foglia, Bertus Gerssen, Justine Kurland, Pavel Prokopchik and Corine Vermeulen.

Pop Art Design is in fact the first extensive exhibition on the interrelations between art and design of the period. It is a traveling exhibition of the Vitra Design Museum, Louisiana Museum of Modern Art and Moderna Museet, Stockholm.

Screened in conjunction with Jay DeFeo: A Retrospective, Bruce Conner’s short film, THE WHITE ROSE (1967), chronicles the removal of DeFeo’s nearly one-ton masterpiece, The Rose (1958-66), from her second-story San Francisco studio. 

Blues for Smoke is an interdisciplinary exhibition that explores a wide range of contemporary art through the lens of the blues and blues aesthetics. In conjunction with Blues for Smoke, Pope.L will stage a performance and hands-on project that invites visitors to explore the definitions surrounding the blues, and ask how the blues “aesthetic” has migrated over place and time.

BEST MONOGRAPHIC MUSEUM SHOW NATIONALLY

“Jay DeFeo: A Retrospective,” San Francisco Museum of Modern Art; travels to the Whitney Museum of American Art. Organized by the Whitney Museum of American Art, New York; Dana Miller, curator.

PAINT THINGS navigates the recent direction of contemporary artists to expand painting beyond the stretcher into sculptural forms. This group exhibition focuses on the growing spatial and material freedom in painting as it merges with installation and sculpture. 

SculptureCenter, in collaboration with the Vera List Center for Art and Politics at The New School, is thrilled to continue the artist-led lecture series Subjective Histories of Sculpture. This program, initiated in 2006, furthers SculptureCenter's exploration of how contemporary artists think about sculpture, its history, legacies, and potential for innovation.

This year, Martin Kersels, Agnieszka Kurant, and Allison Smith have been invited to present their own take on art history and consider the thematic focus of thingness.

With a career spanning more than sixty years, Sir Anthony Caro (b. 1924) is Britain’s most acclaimed living sculptor.

For her first solo exhibition at The Museum of Modern Art, New York–based artist Martha Rosler presents her work Meta-Monumental Garage Sale, a large-scale version of the classic American garage sale, in which Museum visitors can browse and buy second-hand goods organized, displayed, and sold by the artist.

Featuring the works of Catherine Opie and Justine Kurland, America in View reveals a nation's ambitions and failings, beauty and loss, politics and personal stories through about 150 photographs spanning nearly 150 years. 

High Line Art, presented by Friends of the High Line, is pleased to announce that Brooklyn-based artist Virginia Overton will transform an old pickup truck into a site-specific sculpture installed on the stacked parking next to the High Line at West 20th Street, on view from Thursday, September 13, 2012 to September 2013.

The Museum of Contemporary Art presents AMANDA ROSS-HO: TEENY TINY WOMAN, on view at MOCA Pacific Design Center from June 23 through September 23, 2012. Amanda Ross-Ho is one of the leading Los Angeles artists of her generation and this new installation is her largest and most ambitious exhibition to date.

Jessica Stockholder's exhibition "Hollow Places Court in Ash-Tree Wood", initially realized at the Aldrich Museum in Ridgefield, CT, is traveling to the Ecole Nationale Superieur d'Architecture in Nantes, France. The exhibition will open on June 15th, 2012, and remain on view until September 2. For more information, please visit the website for the Frac des Pays de la Loire.

For her first solo exhibition at The Museum of Modern Art, Martha Rosler (Brooklyn, New York) will present her work Garage Sale in The Donald B. and Catherine C. Marron Atrium from November 17 to 30, 2012. Rosler held the Garage Sale’s first iteration, Monumental Garage Sale, in 1973 in the student gallery of the University of California, San Diego. She advertised this controversial work as a garage sale in local newspapers and as an art event within the local arts scene. Clothes, books, records, toys, costume jewelry, personal letters, art works, and other mementos, as well as soft-core pornographic magazines and empty welfare-food containers were displayed on racks and tables for visitors to browse and buy, after haggling with the artist over the price. Rosler’s Garage Sale implicates visitors in face-to-face transactions within a secondary, informal cash economy—exactly like garage sales held outside the museum setting. On select weekends from May 12 until summer, you can be a part of this work by donating your castoffs, no-longer-wanted objects, bric-a-brac, and odd items. Click the link to the left for more information on drop off times and locations.

"Dialogue of Hands" will be a sculpture park for children and adults, located on the elevated ground level sculpture courtyard of the iconic 1964 building, formerly known as the College of Building and Printing (recently renamed City of Glasgow College). The exhibition would be an immersive sensory environment, with an emphasis on real time audience participation and attracting families with children.

Curated by Matthew Lyons In her works in sculpture and installation, Virginia Overton employs readily available or repurposed building materials as well as common found imagery in reaction to the particular conditions of the exhibition space and its environs. She has developed a sculptural vocabulary that uses and reuses these materials and images. While the work often incorporates large-scale elements, Overton still allows for a sense of ad hoc fragility in the provisional relationships she sets up between the architecture and her materials. The heightened awareness of the weight-bearing loads and the pull of gravity underscore how the materials have been asked to perform, holding traces of past uses and process to become more than just “raw” material. Exhibition Hours: Tues–Fri, 12–6pm; Sat 11–6pm FREE

The Chatsworth House Trust and the New Art Centre, Roche Court Sculpture Park, are proud to present 'Caro at Chatsworth'. This will be the first exhibition dedicated to the work of a single artist to be held in the garden at Chatsworth and will comprise 15 sculptures by Sir Anthony Caro sited around the famous Emperor Fountain, in front of the south façade at Chatsworth. 'Caro at Chatsworth' provides a once in a lifetime chance to see the larger work of Britain's greatest living sculptor in one of Britain's most famous historic settings.

Organized in conjunction with the exhibition Print/Out, Printin’ takes as its starting point DeLuxe (2005), a tour de force portfolio of 60 works by Ellen Gallagher (American, b. 1965) that challenged traditional ideas of what a print could be. DeLuxe offers a multivalent constellation of ideas, touching on such issues as portraiture, identity, history, advertising, commodity, and the disruption, translation, and recasting of space. Proposing a kind of technical dissection and conceptual unpacking of this portfolio, Printin’ brings together work by more than 50 artists from multiple disciplines in a sweeping chronology that extends from the 17th century to the present day, to propose a free-flowing yet incisive web of associations that are reflected in DeLuxe. Encompassing prints, drawings, films, books, photographs, sculptures, videos, and comic strips, the exhibition features such artists as Vija Celmins, David Hammons, George Herriman, Robert Rauschenberg, Martha Rosler, and many others, forming a dense network of formal, technical, and conceptual connections and intersections.

Last month, artist William Pope.L spent a day at MoMA, exploring the collections of artists’ multiples on view in Thing/Thought: Fluxus Editions, 1962–1978. While he was here, he produced the above performance video, which incorporates the Fluxkit to incredibly humorous effect. His visit concluded a series of collaborations with visiting artists—some of them original members of Fluxus—who had been invited to select objects from the two Fluxkits on display, which are similar but not identical, and determine their arrangement. Since the late 1970s, Pope.L has produced innovative performances and installations, often tackling potent topics of race and inequality. His interventionist approach frequently involves the public; he interacts with communities, taking on the role of provocateur. At MoMA, Pope.L addressed the institutional paradigms of the Museum. His unconventional arrangement of the Fluxus objects is on view until January 16, when the exhibition closes to the public.

Katherine Bradford, Tamara Gonzales, Joanne Greenbaum EJ Hauser, Alison Knowles, Justine Kurland, Lauren Luloff, Joyce Pensato, Amanda Ross-Ho, Niki de Saint Phalle, Michelle Tarantelli The Journal Gallery is delighted to present "Special Blend," curated by Chris Martin. Some of these artists are old friends. Some of them have never met. This show is a way for them to meet and for their work to converse. Presented as a melange, this exhibition has an earthy flavor with a clean finish. Balanced and light-bodied, it combines honey sweetness with a hint of citrus for a smooth-looking exhibition—perfect for viewing all day.

VIRGINIA OVERTON: "DELUXE" Opening Saturday January 14th, 2012 For Virginia Overton, the truck is a working tool embodied with stored labor. Rather than a symbolic object of desire in the mode of the co-opted muscle car, she recognizes the truck as a worker. Like most of her tools and materials, the truck functions as an agent for labor production.

The Kunst­hal­le Dusseldorf will present the first in­sti­tu­tio­nal so­lo ex­hi­bi­ti­on outside the United Sta­tes by Chris Mar­tin. The ex­hi­bi­ti­on, cu­ra­ted by Elo­die Evers and Gre­gor Jan­sen, will fo­cus upon the ear­ly and midd­le pe­ri­od of Mar­tin’s oeu­vre. The “Black Pain­tings”, for ex­amp­le, which crea­te the il­lu­si­on of three-di­men­sio­nal space wi­th a few li­nes, be­long to the ol­der works. Mar­tin’s en­ga­ge­ment wi­th pain­ters such as Ma­le­vich and Mon­dri­an, is cle­ar­ly vi­si­ble he­re. In par­al­lel to the­se lar­ge-for­mat pain­tings, which we­re pro­du­ced as part of his work as an art the­ra­pist, Mar­tin al­so wor­ked on a num­ber of small, co­lor­ful can­va­ses. Martin's first com­pre­hen­si­ve ex­hi­bi­ti­on ca­ta­lo­gue, fea­turing nu­me­rous co­lor il­lus­tra­ti­ons, es­says by Gre­gor Jan­sen, Alex­an­der Koch, Bob Nick­as, Lars Bang Lar­sen, and a con­ver­sa­ti­on wi­th Chris Mar­tin and Elo­die Evers, will be pu­blis­hed by Ver­lag der Buch­hand­lung Walt­her Kö­nig.

Performance artist and sculptor William Pope.L will present a performance and video installation entitled Blink at Prospect.2 New Orleans, the second edition of the international contemporary art biennial. For the work, the artist asked New Orleans residents to donate photos of themselves in response to the questions: "When you dream of New Orleans, what do you dream of? When you wake up in the morning, what do you see?" These donated images will be part of a video installation mounted on a truck – a modern, traveling version of a “magic lantern” projection – that will traverse the city of New Orleans from sundown on October 22, 2011 through sunrise the following day. The video, intended to be a collective “memory bank” of the residents of New Orleans, will be stationed at Xavier University's Art Village following the performance for the duration of the biennial.

Norbert Schwontkowski is featured in the CCA Wattis Institute's Painting Between the Lines, which continues the Institute's investigation into the relationship between literature and art. For this show, the CCA Wattis Institute has commissioned fourteen artists to create paintings based on descriptions of paintings in historical and contemporary novels. Examining the state of contemporary painting, Painting Between the Lines attest to the vitality of the medium. Though literary sources have been a common source of painting's subject matter historically, more recently, painting has looked to history, society, politics and itself for inspiration. Schwontkowski's painting responds to Oscar Wilde's The Picture of Dorian Gray.

Martha Rosler is featured in CCA Wattis Institute's More American Photographs--the exhibition will reexamine the well-known photography program of the Farm Security Administration, 1935-44, which included artists such as Walker Evans, Ben Shahn, Dorothea Lange and Marion Post Wolcott. For More American Photographs, twelve contemporary photographers will be commissioned to travel the United States, documenting its land and people. More American Photographs aims to add to the FSA's project through the lens of the twenty-first century, which highlights, amidst natural disasters, the collapse of the housing boom, and a general lack of economic mobility, the distinct effects on different communities.

Amanda Ross-Ho will participate in an exhibition titled Two Schools of Cool at Orange County Museum of Art. OCMA’s history is rooted in Los Angeles art and artists of the 1960s and 1970s. Two Schools of Cool reexamines a group of these artists, pairing elder statesmen of cool with artists from a new generation that mostly emerged in Los Angeles beginning in 2000. The exhibition provides the two generations with space to explore, experiment, and provoke through collaborative projects. The collaborating artist teams are: John Baldessari and Shana Lutker, Llyn Foulkes and Stanya Kahn, George Herms and Sarah Cain, Allen Ruppersberg and Amanda Ross-Ho, and Robert Williams and Ed Moses. The exhibition will include select public programs during the run of the exhibition, including artist talks, performances and workshops.

State of Mind: New California Art Circa 1970, co-organized by Orange County Museum of Art (OCMA) and UC Berkeley Art Museum and Pacific Film Archive (BAM/PFA), is the most comprehensive exhibition to date to focus on Conceptual art and related new genres in both Northern and Southern California during this pivotal period in contemporary art. Featuring more than 150 works of art, the exhibition includes installations, photographs, works on paper, videos and films, artists’ books, extensive performance documentation, and other ephemera. This includes newly discovered work as well as materials culled from archives that have rarely been viewed. State of Mind: New California Art circa 1970 is supported by a grant from the Getty Foundation as part of the unprecedented collaborative initiative Pacific Standard Time: Art in L.A. 1945–1980.

JACK TWORKOV: The Accident of Choice, the artist at Black Mountain College is a historic exhibition of important works by Tworkov, who taught painting at Black Mountain College during the summer of 1952. On view will be paintings and drawings by Tworkov ranging from 1948-52 including works from one of the artist's most noted series, House of the Sun that began at Black Mountain College. Also on exhibit will be letters, photographs, and ephemera from students and fellow artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stephan Wolpe; photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952. A fully illustrated catalogue will accompany the exhibition including an essay by the exhibition curator, Jason Andrew; a never-before printed interview with Jack Tworkov conducted by the historian Irving Sandler in 1957; and a re-print of the article Tworkov Paints A Picture written by Fairfield Porter and published in Art News in 1953. The exhibition is curated by Jason Andrew.

In her solo project Hollow places court in Ash-Tree Wood, Jessica Stockholder has made several works from the wood of a 125-year-old ash tree that formerly grew in the Aldrich’s sculpture garden. The exhibition includes several discrete sculptural works within a site-responsive installation. The major elements in the exhibition are two large freestanding sculptures that resemble folding screens. Fabricated from boards cut from the wood of the tree, they were conceived by Stockholder as static armatures that she will activate with various types of paint, from auto lacquer to acrylic, visually suggesting walls (or a gallery) filled with pictures. The forms represented reference eyes (among other things), mirroring the viewer’s gaze and suggesting both the accumulated experience of the tree and the fleeting experience of the viewer.

Chris Johanson will participate in the second edition of Art Basel's Art Parcours, a series of events and performances selected by Jens Hoffmann, Director of the CCA Wattis Institute, San Francisco. Johanson will perform with his band 'Sun Foot' atop his site-specific artwork, which takes the form of a stage built on a cargo barge docked on the bank of the Rhine. The event includes a projection by Johanna Jackson & DJ set by Christopher Garrett. Art Parcours is open to the public and free of charge.

Mitchell-Innes & Nash is pleased to announce an installation of sculptures by Sir Anthony Caro on The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden opening April 26. This selection of works spans the artist’s career to date and will highlight his principle contributions to sculpture: engagement with form in space, dialogue between sculpture and architecture, and the creation of abstract analogies for the human figure and landscape. The exhibition will be on view in the Museum’s dramatic, nearly 8,000-square-foot open-air space offering unparalleled views of Central Park and the New York City skyline. Anthony Caro on the Roof will be the 14th consecutive single-artist installation on the Cantor Roof Garden.

Amanda Ross-Ho will be included in the exhibition Not the Way You Remembered at the Queens Museum of Art from April 10 - August 14. As museums have mounted more exhibitions from their permanent collections, revisiting their archives and breathing new life into years’ worth of holdings, this generation’s artists are also looking back-revisiting materiality, composing and recombining nontraditional materials, perhaps out of necessity, or as a comment on a collective loss of intimacy through lives lived online. NOT THE WAY YOU REMEMBERED explores how collecting and displaying personal, physical objects creates and recreates memories and associations, both individual and collective. Participating artists are Taylor Baldwin, Clifford Borress, Barb Choit, Brendan Fowler, Ted Gahl, Rashawn Griffin, Faten Kanaan, Zak Kitnick, Jason Lazarus, Lauren Luloff, Dave Murray, Amanda Ross-Ho, Jean Shin, Hayley Silverman, Agathe Snow, and Bryan Zanisnik. The exhibition is curated by Jamillah James, Queens Museum of Art Van Lier Fund Fellow.

Flux This, with William Pope.L and Special Guests Museum of Modern Art, New York Instructions, proposals, notions, a phone call, and a trampoline. A day and a half of Fluxus-inspired-and-disgusted workshops, performances, video, and interventions, concluding with an evening of short things and even shorter things. Everyone is invited! 12:00–6:30 p.m. in the Cullman Education Building mezzanine and classrooms (admission is free) 6:30 p.m. in the Celeste Bartos Theater (T3) (tickets required) Open rehearsals for this event take place on March 24. In conjunction with the exhibitions Instruction Lab and Contemporary Art from the Collection Tickets for the 6:30 p.m. theater event ($10; $8 members; $5 students, seniors, staff of other museums) can be purchased online or at the lobby information desk and the film desk.

Laumeier Sculpture Park, St. Louis presents an exhibition of recent sculpture by Jessica Stockholder. The exhibition, which opens February 12, features eleven sculptures full of quirks and unexpected materials. Stockholder’s work engages elements of painting, sculpture and architecture with objects more commonly found in backyards and living rooms. Her playful nature is reflected in the name of the exhibition, Grab grassy this moment your I’s. The title offers an abstract grammatical puzzle emblematic of her work that strives to change how we see common objects and materials. The exhibition includes Stockholder’s work, Flooded Chambers Maid, 2009-10, installed in Laumeier’s Children’s Sculpture Garden in October 2010. The long-term loan was commissioned by the Madison Square Park Conservancy, was previously exhibited in Manhattan’s Madison Square Park. The work will provide a platform for future performances, readings and children’s programs.

New Sparkle for an Abstract Ensemble By HOLLAND COTTER SARATOGA SPRINGS, N.Y. — In the echo chamber that is the New York art world, where one voice can give the illusion of being many, the crusading cry of late is “We need more painting!” As if there were a dearth. Is there? Walk through any of the city’s art museums, and what do see? Paintings everywhere. Visit contemporary galleries all over town, and what do you find? They’re painting packed. But still the cry goes on.

William Pope.L at FIAC, Paris, October 21 - 24 Booth A40 – Mitchell-Innes & Nash New York, September, 2010: Mitchell-Innes & Nash will present a solo booth featuring William Pope.L at FIAC, Paris from October 21 through 24. The works on view, dating from the 1990s to the present, will include sculpture, photographs, painting and drawing, as well as a performance in the FIAC booth.

Following the Dots Around the City By ROBERTA SMITH Autumn in New York is the perfect time for an accidental festival of the work of the Pop artist Roy Lichtenstein. This one is made possible by three separate exhibitions spread around Manhattan, which seems only fitting.

An extraordinary new exhibition organized by The Morgan Library & Museum, opening September 24, presents an important series of large-scale, black-and-white works as a group for the first time and examines Lichtenstein's less known exploration of the medium of drawing. Created during the early and mid-1960s, the fifty-five drawings on view offer a revealing window into the development of Lichtenstein's art, as he began for the first time to appropriate commercial illustrations and comic strips as subject matter and experimented stylistically with simulating commercial techniques of reproduction—the famous Benday dots. The work represents an essential and original contribution to Pop Art as well as to the history of drawing.

A CONVERSATION ON ROY LICHTENSTEIN MITCHELL-INNES & NASH CHELSEA SATURDAY OCTOBER 16, 4 PM Mitchell-Innes & Nash will hold a round-table discussion on the occasion of the exhibition Roy Lichtenstein Reflected at the Chelsea gallery on Saturday, October 16, at 4pm. Participants will include Dorothy Lichtenstein, David Salle, and Graham Bader.

Brooklyn Museum Seductive Subversion: Women Pop Artists, 1958–1968 October 15, 2010–January 9, 2011 Elizabeth A. Sackler Center for Feminist Art and Morris A. and Meyer Schapiro Wing, 4th Floor This large-scale exhibition examines the impact of women artists on the traditionally male-dominated field of Pop art.

MoMA's New Photography 2010 presents four artists—Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross-Ho—whose photographs, taken in the real world and made in the studio, mine the inexhaustible reservoir of images found in print media, television, and cinema.

August 5, 2010 Varieties of Abstraction By ROBERTA SMITH Happy birthday, abstract painting! One of the prides and joys of Western modernism is in the vicinity of its first centennial. It's hard to be much more exact, since its invention was a scattered effort extending over years if not decades.

Jessica Stockholder Peer out to See July 14, 2010 – February, 2011 Parque del Buen Retiro, Palacio de Cristal

Jessica Stockholder's first museum exhibition in Spain will take open July 14 at the Palacio de Cristal of the Reina Sofia Museum.

Mitchell-Innes & Nash is pleased to announce its participation in New York Gallery Week, May 7-10, 2010. The gallery will feature the work of William Pope.L in conjunction with New York Gallery Week's events throughout the weekend.

An endurance performance taking place Saturday afternoons throughout Pope.L's exhibition, landscape + object + animal.

Performance Times:
Saturday May 8 5:15pm 6:30pm
Sunday May 9 2pm 3:15pm 4:30pm
Monday May 10 2pm 3:15pm 4:30pm
Saturday May 15 2pm 3:15pm 4:30pm
Saturday May 22 3:15pm 4:30pm
Saturday May 29 2pm 3:15pm 4:30pm
Saturday June 5 2pm 3:15pm 4:30pm
Saturday June 12 2pm 3:15pm 4:30pm
Saturday June 19 2pm 3:15pm 4:30pm

ADAA Collectors' Forum: A Committed Vision Collecting in the New Economy Saturday, March 6, 11:00 am The Park Avenue Armory The panel will focus on a variety of issues related to collecting art in different economic climates, and the vision and dedication that marks the best art collectors and collections.

Mitchell-Innes & Nash is pleased to announce that Martin Kersels is included in the 2010 Whitney Biennial. He has created a sculptural installation in the Lobby Gallery that also functions as a stage for curatorial programs involving artists, writers, musicians, choreographers, and DJs. Kersels will perform Friday April 2 at 7:30 pm as part of the Whitney's My Turn program in conjunction with the Biennial.

BOOK READING THE EXTREME OF THE MIDDLE WRITINGS OF JACK TWORKOV Friday, February 5th at 5pm Mitchell-Innes & Nash Chelsea 534 West 26th Street, New York, NY 10001

"Project Series 40: Amanda Ross-Ho The Cheshire Cat Principle" will be on view January 23 through April 11, 2010, at the Pomona College Museum of Art in Claremont, CA. An opening reception will be held at the Museum on Saturday, January 23 from 4-6 p.m. Amanda Ross-Ho will present a public lecture about her work on Tuesday, March 2 at 10:30 a.m. in the Museum.

Mitchell-Innes & Nash is pleased to announce Chris Martin in "Aberrant Abstraction" at the Nerman Museum in Kansas City, Kansas.

Mitchell-Innes & nash is pleased to announce Jessica Stockholder's installation "Air Padded Table Haunches, and..." at Carreras Mugica

"The Black Factory does not make blackness, it performs blackness. Sometimes the performance is a conversation, sometimes a provocation, sometimes its a commodity, sometimes its losing your commodities and sleeping at the shelter, sometimes its working in the soup kitchen of that shelter, sometimes the performance of blackness is simply an idea bearing on some distant resemblance from which I will always say: From here I dare to begin."
- William Pope.L

Mitchell-Innes & Nash is pleased to announce Jessica Stockholder in Embrace! at the Denver Art Museum, on view through April 4, 2010. Stockholder's installation "Wide Eyes Smeared Here Dear " is on view within the architecture of the Frederic C. Hamilton building.

Saturday 3 October; 10:30 am The Morgan Library & Museum 225 Madison Avenue, NYC Produced in cooperation with the International Fine Print Dealers Association, the forum will explore the criteria used to look at and purchase prints as a genre of collecting.

Mitchell-Innes & Nash is pleased to announce Martha Rosler in Dress Codes, the third ICP Triennial exhibition.

September 23 – October 24, 2009 Opening: Wednesday, September 23, 6 – 8 pm Hauser & Wirth New York 32 East 69th Street New York NY 10021

Alexander Liberman's monumental sculpture, Castle, is now on view at the Ward Pound Ridge Reservation in Westchester, New York. Ward Pound Ridge Reservation Route 35 & 121 South Cross River, NY (914) 864-7317

Mitchell-Innes & Nash is pleased to announce Amanda Ross-Ho's participation in Wallworks at the Yerba Buena Center for the Arts in San Francisco. Wallworks is the highly anticipated curatorial debut of Betti-Sue Hertz, YBCA's newly appointed Director of Visual Arts.

Photographs : photographs by Justine Kurland CEPA Gallery 617 Main Street Buffalo, New York June 27 - August 22, 2009 New York City based Justine Kurland was born in Warsaw, NY, and is returning to her Western New York roots for her first exhibition in the region.

ARTFORUM Summer 2009 Leon Kossoff MITCHELL-INNES & NASH Leon Kossoff's painterliness invites us to scan the image of subconscious meaning—to play on Anton Ehrernzweig's idea of the way we approach what he calls "gestalt-free painting"—and the meaning we find involves what Freud called "primary process thinking," and traces of what D.W. Winnicott, elaborating and deepening Freud's idea, called "primary creativity," by which he meant the spontaneity innate to us all yet often stifled or channeled into trivial pursuits by society.

Mitchell-Innes & Nash is pleased to announce Chris Martin and Amanda Ross-Ho in Abstract America at the Saatchi Gallery, May 29, 2009 - January 17, 2010. Thirty-five artists are in the exhibition, representing an exciting new generation of American painters and sculptors.

This exhibition of 65 works on paper and board examines Roy Lichtenstein's creative process and artistic evolution during the 1980s and 90s. Drawings, collages, and sketchbooks are on view, offering some of the best clues to Lichtenstein's thoughts and working methods. Almost every drawing served as a study for a future painting, print, or sculpture.

Mitchell-Innes & Nash is pleased to announce Chris Martin in The Ballad that Becomes an Anthem, curated by Stephen Westfall at ACME Los Angeles. The exhibition will run from through April 19, 2009 and features works by Mary Heilmann, Chris Martin, Rebecca Morris, Amy Sillman, Mary Weatherford, and Stephen Westfall.

Featuring works by: Allan D'Arcangelo Natalie Frank Axel Geis Justine Kurland Chris Martin Christopher Miner Enoc Perez William Pope.L Martha Rosler Amanda Ross-Ho Norbert Schwontkowski Jessica Stockholder Paul Winstanley

Performance by the Corbu Pop Singers and reception Thursday, February 19 following the 6 pm Carpenter Center Lecture by William Pope.L

Mitchell-Innes is pleased to announce a survey of photographic and video works by Martha Rosler at Centro José Guerrero in Granada. The exhibition is curated by Juan Vicente Aliaga.

Mitchell-Innes & Nash is pleased to announce the participation of William Pope.L in the exhibition, "30 Americans," at the Rubell Family Collection. December 3, 2008 – November 28, 2009 Rubell Family Collection 95 NW 29th Street Miami, Florida 33127 Phone: (305) 573-6090 

Open to the public: December 3, 2008 – May 30, 2009 Wednesday through Saturday 10 AM – 6 PM Art Basel 2008 Hours: December 3, 9 AM – 6 PM December 4, 8 AM – 6 PM December 5 – 9, 9 AM – 6 PM

Martha Rosler has been awarded the prestigious 2008 USA Visual Artist Fellowship Grant.

2008 California Biennial Newport Beach and Orange Lounge, South Coast Plaza

The 2008 California Biennial continues the Orange County Museum of Art's four-decade long history of presenting new developments in California art. This year's biennial is guest-curated by Lauri Firstenberg, founder and director/curator of LAXART in Los Angeles.

Mitchell-Innes & Nash is pleased to announce the public commission by Sir Anthony Caro at the Eglise Saint-Jean de Baptiste of Bourbourg and a major retrospective of the Artist's work in France presented simultaneously at the museums of Calais, Dunkirk and Gravelines. Eglise Saint-Jean Baptiste de Bourbourg Chapel of Light/ Chœur de lumière

Organized by guest curator Lydia Yee, Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for artists and photographers from the late 1950s to the present. This far ranging exhibition, one of the largest to consider the subject, includes street photography; documentation of performance, events, and artworks presented in the street; works using material from the street; and examples of street culture by more than thirty artists.

Martha Rosler location, location, location Portikus Alte Brücke 2 / Maininsel D-60594 Frankfurt am
Main Opening: July 11, 2008, 8 pm
Lecture: July 11, 2008, 6.30 pm
Exhibition on view: July 12 - September 14, 2008
Press conversation: July 11, 2008, 11 am

A commission of two monumental-sized paintings of Casa Malaparte, a famous architectural landmark on Punta Massullo, on the eastern side of the Isle of Capri. The paintings were commissioned by the Collezione Maramotti, a public collection in Reggio Emilia, Italy. The paintings will be on view as of June 6 in a dedicated room at the collection. A small publication will accompany the exhibition.

Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 May 04, 2008 - September 21, 2008

In Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976, the first major U.S. exhibition in 20 years to rethink Abstract Expressionism and the movements that followed, over fifty key works by 32 artists – among them Jackson Pollock, Willem de Kooning, Helen Frankenthaler, Mark Rothko – will be viewed from the perspectives of influential, rival art critics Clement Greenberg and Harold Rosenberg, the artists, and popular culture.

Martha Rosler Library April 12 - June 14, 2008 Site Liverpool John Moores University School of Art and Design 68 Hope Street Liverpool L19EB Opening hours: Mon - Sat 11-6 pm Site is pleased to announce the opening of Martha Rosler Library on Friday, April 11, 2008 at 6pm.

Paul Winstanley Paintings 1989–2007 Exhibition dates: 26 April – 31 May 2008 Opening reception: Friday 25 April 6pm ARTSPACE is proud to present the first survey exhibition of the work of British artist Paul Winstanley. The exhibition includes a group of paintings from a recent Red Mansion Foundation exchange programme in China and a selection of paintings from 1989-2007.

Dargerism: Contemporary Artists and Henry Darger Featuring Amy Cutler, Henry Darger, Jefferson Friedman, Anthony Goicolea, Trenton Doyle Hancock, Yun-Fei Ji, Justine Kurland, Justin Lieberman, Robyn O'Neil, Grayson Perry, Paula Rego, and Michael St. John Brooke Davis Anderson, curator

Featuring works by: Tjorg Douglas Beer Natalie Frank Axel Geis Jack Goldstein Justine Kurland Chris Martin Chris Miner Enoc Perez Martha Rosler Norbert Schwontkowski Jessica Stockholder

WALTHAM, Mass. – This winter, the Rose Art Museum at Brandeis will present more than 50 artists representing the extraordinary diversity of the Rose collection and emerging talents – several of whom will be exhibiting for the first time in a U.S. museum. In the Lois Foster Wing, critic/curator Dominique Nahas and artist Margaret Evangeline will curate "Empires and Environments," an exhibition featuring several works from the Rose collection exhibited with new work from emerging artists.

Arp Caro Cornell Degas Liberman Lichtenstein Maillol Moore Tworkov Warhol

A comprehensive survey examining the foundations and legacy of early feminist art (1965 to 1980) including works by Martha Rosler at P.S.1 Contemporary Art Center, Long Island City, Queens.

Annely Juda Fine Art will be presenting the first exhibition of a series of new galvanized sculptures by Sir Anthony Caro. The exhibition will take place over two floors at Annely Juda Fine Art including the recently expanded third floor gallery space. It has been organized in collaboration with Mitchell-Innes & Nash's exhibition in the Chelsea gallery, from October 19 to November 21, 2007.

At this year's Art Basel our booth will be divided into two groups: major modern masters of the Twentieth Century and a comprehensive selection from our contemporary program. 

The Art Show Phenomenon: How the Art Market's Hottest Trend is Shaping the Cultural Landscape PANELISTS Andrew Fabricant Richard Gray Gallery, Chicago and New York Carla Chammas CRG Gallery, New York Lawrence Luhring Luhring Augustine, New York Lucy Mitchell-Innes Mitchell-Innes & Nash, New York MODERATOR Allan Schwatrzman, art advisor and writer LOCATION Mitchell-Innes & Nash, Chelsea 534 West 26th Street Sponsorship provided by Lehman Brothers

ARTISTS Tjorg Douglas Beer Anthony Caro Natalie Frank David Godbold Chris Martin Enoc Perez Martha Rosler Jessica Stockholder Veron Urdarianu Paul Winstanley

ARTISTS Tjorg Douglas Beer Natalie Frank Jack Goldstein Henning Kles Justine Kurland Alexander Liberman Roy Lichtenstein Chris Miner Enoc Perez Martha Rosler Norbert Schwontkowski Jessica Stockholder Veron Urdarianu Paul Winstanley

REPRESENTED ARTISTS Tjorg Douglas Beer Anthony Caro Jack Goldstein Bryan Hunt Leon Kossoff Justine Kurland Roy Lichtenstein Christopher Miner Enoc Perez Martha Rosler Jessica Stockholder

We are pleased to collaborate with our colleagues at Colnaghi on this exhibition, "In the Company of Old Masters: Julian Schnabel, Tina Barney and Eve Sussman & the Rufus Corporation".